Creative Life: Music, Politics, People, and Machines
(Sprache: Englisch)
Luminous essays on the nexus of music, politics, and technology
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Luminous essays on the nexus of music, politics, and technology
Inhaltsverzeichnis zu „Creative Life: Music, Politics, People, and Machines “
Introduction; Art and Politics After September 11; Early Years; Central America; El Salvador, 1988: Absolute Diabolical Terror; Sooner or Later; Nicaragua 1990: Power Outage; Creative Politics; The Balkans; The Balkans 2000: Tour Journal; Program Notes for Yugoslavia Suite; Queers; Desert Boy on a Stick; Why I Work With Drag Queens; Music And Machines; Between Science and Garbage; Living Cinema Manifesto; Human Bodies, Computer Music; Why Computer Music Is So Awful; Conclusion; The Professional Suicide of a Recording Musician; Appendix; Acknowledgements; Biography; Discography; Filmography; Books; Permissions
Autoren-Porträt von Bob Ostertag
University of California at Davis
Bibliographische Angaben
- Autor: Bob Ostertag
- 2009, 194 Seiten, Maße: 15 x 22,6 cm, Kartoniert (TB), Englisch
- Verlag: UNIV OF ILLINOIS PR
- ISBN-10: 025207646X
- ISBN-13: 9780252076466
Sprache:
Englisch
Rezension zu „Creative Life: Music, Politics, People, and Machines “
"Unique and engaging. Creative Life spins an intriguing narrative, builds a compelling argument about the nature of art and politics, and raises a stimulating set of questions for politically engaged art in an age of digital technologies." Jonathan Scott Lee, author of Jacques Lacan
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