Deleuze, Cinema and National Identity: Narrative Time in National Contexts
Deleuze, Cinema and National Identity challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time...
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Deleuze, Cinema and National Identity challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical event - including 9/11, German reunification, and the Asian economic crisis - and the impact it has had on individual nations. This cross-cultural approach illustrates how Deleuze's work can enhance our understanding of the construction of national identity. It also enables a critique of Deleuze's conclusions by examining his work in a variety of national contexts.
PART I: DELEUZE AND NARRATIVE TIME
1. History
2. Memory
PART II: MOVEMENT/TIME-IMAGE FILMS
3. National Identity in the Global City
4. American Triumphalism and the First Gulf War
5. Renegotiating the National Past after 9/11
6. The Pacific Rim
Conclusion
- Autor: David Martin-Jones
- Altersempfehlung: Ab 22 Jahre
- 2008, 244 Seiten, mit Abbildungen, Maße: 16 x 23,2 cm, Kartoniert (TB), Englisch
- Verlag: EDINBURGH UNIV PR
- ISBN-10: 0748635858
- ISBN-13: 9780748635856
"[An] ambitious book... Recommended." -- Choice
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