On the Savage Side
A novel
(Sprache: Englisch)
Six women—mothers, daughters, sisters—gone missing. Inspired by the unsolved murders of the Chillicothe Six, this harrowing novel tells the story of two sisters, both of whom could be the next victims, from the internationally best-selling author of...
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Six women—mothers, daughters, sisters—gone missing. Inspired by the unsolved murders of the Chillicothe Six, this harrowing novel tells the story of two sisters, both of whom could be the next victims, from the internationally best-selling author of Betty."Capture[s] what goes horribly wrong when women don’t fit a customary victim profile...McDaniel artfully evokes each facet of their common humanity, the sinuous landscape, and defiant community in the face of evil." —Oprah Daily
Arcade and Daffodil are twins born one minute apart. With their fiery red hair and thirst for escape, they form an unbreakable bond nurtured by their grandmother’s stories. Together, they disappear into their imaginations and forge a world all their own.
But what the two sisters can’t escape are the generational ghosts that haunt their family. Growing up in the shadow of their rural Ohio town, the sisters cling tightly to one another. Years later, Arcade wrestles with the memories of her early life, just as a local woman is discovered drowned in the river. Soon, more bodies are found. As her friends disappear around her, Arcade is forced to reckon with the past while the killer circles closer. Arcade’s promise to keep herself and her sister safe becomes increasingly desperate and the powerful riptide of the savage side becomes more difficult to survive.
Drawing from the true story of women killed in Chillicothe, Ohio, acclaimed novelist and poet Tiffany McDaniel has written a moving literary testament and fearless elegy for missing women everywhere.
Lese-Probe zu „On the Savage Side “
Chapter 1The power of a flower is that she can tower. Daffodil Poet
The first sin was believing we would never die. The second sin was believing we were alive in the first place.
When a woman disappears, how is she remembered? By her beautiful smile? Her pretty face? The drugs in her system? Or by the johns who all have dope breath and graceless desires?
In Chillicothe, Ohio, there is the familiar quarrel. The same quarrel that is known through once-pastoral fields, where industry was made and generations were supported by grandfathers and fathers working in the paper mill until they came home at night to become the captains of the dinner table while our mothers were women of immortal hands who picked up our dropped prayers and answered them.
But it was all a myth, these gods in ordinary folk. No more real than the heroes of ancient Greece. Chillicothe, Ohio, it turned out, was full of mortals.
The land had once been called Chala-ka-tha by the Indigenous tribes who had lived there for thousands of years before European settlers came to steal it and rename it something the white tongue could own. Chillicothe.
In their white ways, they industrialized the land. Chillicothe rose in building and pitched roof, competing with the surrounding hills. In her newfound kingdom, she had been the first capital of Ohio, before that, too, was taken away. Remnants were found in the presence of a couple of department stores, the aisles married to the turning wheel of shopping carts and Sunday coupons. Beneath the harsh breath of development and asphalt, there existed the rounded tops of the trees blowing in the wind and the traces of those who had come centuries before.
Home to what had been the rich culture of the First Peoples, Chillicothe was a primal place of geometric earthworks and burial mounds. Ripe with fossilized shark teeth, obsidian, and shells from the faraway ocean, the earthworks were magic to someone like me. As a child, I would dig, beneath
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the seething beetles and below the earthworms, into the deep cool and native soil, hoping to uncover the buried trace of the beautiful and the hidden.
Some folks look at a place by how it is. I like to look at a place by how it would be discovered in the future. What artifacts would Chillicothe, Ohio, leave in the dark ground if it were lost to time? There would be leather straps from the purses of the women who visited the cosmetic counters every Easter sale, plastic straws from the never-ending selection of fast-food joints, camo jackets from the predators, feathers from the nests of the prey. There would be old Tecumseh brochures, family photos from fabric-covered albums, earmarked pages from the Bible, and used needles to remind us we were not perfect.
Most of all, there would be layers. Layers of fury, of beauty, of the hours that shrivel like dry grass. On top of that, as the crowning deposit, there would be the sawdust from the paper mill. Maybe there would even be the smell, mixed into the soil, hardened with the rocks, renewed with each inhale. Locals called the odor coming from the paper mill the smell of money. But for the ones who were not born and raised in Chillicothe, they held their noses and said, Damn this town stinks.
There our entire lives, my sister Daffy and me figured it was what the whole world smelled like. A mixture of rotten eggs, hot garbage, and the toxic fumes that wood makes when it is forced to become paper. This odor would spew from the red-and-white-striped stacks, up into the sky, choking the birds. It would fall back down like a blanket upon us and cling to our clothes, hair, and homes.
It was in the shadow of the paper mill that Daffy and me lived with our mother Adelyn and her sister Clover in the part of town not visible when looking down Main Street with its brick and concrete, the works of old men. We lived on the south side, where slum landlords
Some folks look at a place by how it is. I like to look at a place by how it would be discovered in the future. What artifacts would Chillicothe, Ohio, leave in the dark ground if it were lost to time? There would be leather straps from the purses of the women who visited the cosmetic counters every Easter sale, plastic straws from the never-ending selection of fast-food joints, camo jackets from the predators, feathers from the nests of the prey. There would be old Tecumseh brochures, family photos from fabric-covered albums, earmarked pages from the Bible, and used needles to remind us we were not perfect.
Most of all, there would be layers. Layers of fury, of beauty, of the hours that shrivel like dry grass. On top of that, as the crowning deposit, there would be the sawdust from the paper mill. Maybe there would even be the smell, mixed into the soil, hardened with the rocks, renewed with each inhale. Locals called the odor coming from the paper mill the smell of money. But for the ones who were not born and raised in Chillicothe, they held their noses and said, Damn this town stinks.
There our entire lives, my sister Daffy and me figured it was what the whole world smelled like. A mixture of rotten eggs, hot garbage, and the toxic fumes that wood makes when it is forced to become paper. This odor would spew from the red-and-white-striped stacks, up into the sky, choking the birds. It would fall back down like a blanket upon us and cling to our clothes, hair, and homes.
It was in the shadow of the paper mill that Daffy and me lived with our mother Adelyn and her sister Clover in the part of town not visible when looking down Main Street with its brick and concrete, the works of old men. We lived on the south side, where slum landlords
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Autoren-Porträt von Tiffany Mcdaniel
TIFFANY McDANIEL is the international bestselling author of Betty, The Summer that Melted Everything, and On the Savage Side. Drawing from her Cherokee heritage, she is a poet, a novelist, and a visual artist. She is also the author of the Middle Grade series The Wand Keepers. She is the winner of over a dozen literary prizes, including the Guardian's Not the Booker, Friends of American Writers Chicago, the Society of Midland Authors, and the FNAC. She lives with cats and a dog surrounded by the trees and wildlife that she loves. When not writing, she may be found in the garden or walking in the woods. Tiffany was awarded the prestigious title of Knight of the Order of Arts and Letters in 2021.
Bibliographische Angaben
- Autor: Tiffany Mcdaniel
- 2023, Internationale Ausgabe, 464 Seiten, 26 Abbildungen, Maße: 15,3 x 23,2 cm, Kartoniert (TB), Englisch
- Verlag: KNOPF
- ISBN-10: 1524712434
- ISBN-13: 9781524712433
- Erscheinungsdatum: 09.02.2023
Sprache:
Englisch
Pressezitat
"The women of this book are clever and witchy, speaking in a poetic cadence they have created together... McDaniel is exceptionally inventive... McDaniel s sentences are often striking, ethereal and transcendent... After 454 pages of searing pain, inflicted on our characters by their families and strangers and themselves, I felt distinctly depleted but alongside that exhaustion came an undeniable sense of wonder. McDaniel pulls off an impressive twist at the finale, with a plot shift that might inspire you to start the book again if your nervous system can handle it. And of course, the killer is not the point. We read for the women, the dismal yet beatific textures of their lives. Stories about murdered women always fall on the savage side, but beneath that, too, is the pulse of something beautiful."Danya Kukafka, The New York Times Book Review
"Devastating McDaniel treats the women who walk the streets of Chillicothe with holes in their arms with great tenderness, far more tenderness than they receive in life The young women, and the world in which they live, won't easily be forgotten.
Margaret Quamme, The Columbus Dispatch
"On the Savage Side is gorgeously written. If you are looking for humor or hope then this is not the book for you. It s gritty and dark and we feel for these lost souls. This must have been a difficult book to write. But it really had to be written.
Vick Mickunas, Dayton Daily News
"In this atmospheric Appalachian Gothic, a poet and novelist draws on a string of actual unsolved murders in her native Ohio to capture what goes horribly wrong when women don t fit a customary victim profile... McDaniel artfully evokes each facet of their common humanity, the sinuous landscape, and defiant community in the face of evil."
Oprah Daily
"McDaniel s novel is by turns stark and poetic, a bleak and solemn elegy to lives that in another place and time might have been lived on the
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beautiful side. It s also a tale of a nation unraveling, drowning in rivers of hopelessness and drug addiction."
Library Journal, starred
"Stunning... McDaniel portrays the twins and the others in their group as almost preternaturally bright, full of knowledge and wonder, making for an aching contrast to their traumas of addiction, abuse, violence, and loss. It s a striking portrayal of women fighting for their lives, and one readers won t soon forget."
Publishers Weekly, starred
"An exploration of addiction and grief and an indictment of how we decide who deserves saving. As she did in Betty, McDaniel gives every character the voice of a poet."
Kirkus
"Tiffany McDaniel s gorgeously written On the Savage Side, loosely inspired by the Chillicothe murders in Ohio, tells the story of two twin sisters, their friends who go missing, and all the ways women suffer in the world. Reading this book is like looking through a haunted kaleidoscope."
Crime Reads
A brilliant and beautifully written book about a stark and terrible world, On the Savage Side brings a sense of humanity to the ravages of addiction. This book is as important as it is timely.
Garth Stein, author of The Art of Racing in the Rain
Inspired by a true crime story, Tiffany McDaniel has written a novel of the highest literary merits, a book about the bonds of family, community, and the consequences of those bonds failing us. It is a story that speaks to America s current moral disorientation, and then transcends it.
Elliot Ackerman, author of 2034: A Novel of the Next World War
"Eye-opening, chilling and yet compassionate, On the Savage Side is a disturbing and insightful re-imagining of a true-life crime story."
Dan Chaon, author of Ill Will
Tiffany McDaniel s characters will break a reader s heart with their longing and vulnerable loves. 'A trio of women who could have been queens in a different parade,' they tell stories of an America that deserves a closer look, from a writer who delineates their lives with tenderness."
Susan Straight, author of Mecca
"In On the Savage Side, Tiffany McDaniel paints a portrait of addiction that is honest and unapologetically brutal, yet her twin protagonists are never defined solely by their struggles. Instead they are artists and swimmers, archaeologists and poets, searching for the smallest glints of hope in a world where their love for each other is the only constant. Dedicated to the memory of six women who disappeared or were killed in Chillicothe, Ohio, the novel asks pressing questions about why society deems some injustices tragic and others merely inconvenient. If only all women whose suffering has been ignored could have an artist as gifted as McDaniel to give their eulogy. "
Anjali Sachdeva, author of All the Names They Used For God
"Tiffany McDaniel spins an elaborate, glittering web of brutality and childlike innocence. On the Savage Side lays bare the cruel devolution of addiction, and the way it clings to a family, dragging them into poverty and desperate acts. This book will leave you breathless, heartbroken, and agape at how beauty persists in the midst of tragedy."
Bryn Greenwood, author of The Reckless Oath We Made and All the Ugly and Wonderful Things
Library Journal, starred
"Stunning... McDaniel portrays the twins and the others in their group as almost preternaturally bright, full of knowledge and wonder, making for an aching contrast to their traumas of addiction, abuse, violence, and loss. It s a striking portrayal of women fighting for their lives, and one readers won t soon forget."
Publishers Weekly, starred
"An exploration of addiction and grief and an indictment of how we decide who deserves saving. As she did in Betty, McDaniel gives every character the voice of a poet."
Kirkus
"Tiffany McDaniel s gorgeously written On the Savage Side, loosely inspired by the Chillicothe murders in Ohio, tells the story of two twin sisters, their friends who go missing, and all the ways women suffer in the world. Reading this book is like looking through a haunted kaleidoscope."
Crime Reads
A brilliant and beautifully written book about a stark and terrible world, On the Savage Side brings a sense of humanity to the ravages of addiction. This book is as important as it is timely.
Garth Stein, author of The Art of Racing in the Rain
Inspired by a true crime story, Tiffany McDaniel has written a novel of the highest literary merits, a book about the bonds of family, community, and the consequences of those bonds failing us. It is a story that speaks to America s current moral disorientation, and then transcends it.
Elliot Ackerman, author of 2034: A Novel of the Next World War
"Eye-opening, chilling and yet compassionate, On the Savage Side is a disturbing and insightful re-imagining of a true-life crime story."
Dan Chaon, author of Ill Will
Tiffany McDaniel s characters will break a reader s heart with their longing and vulnerable loves. 'A trio of women who could have been queens in a different parade,' they tell stories of an America that deserves a closer look, from a writer who delineates their lives with tenderness."
Susan Straight, author of Mecca
"In On the Savage Side, Tiffany McDaniel paints a portrait of addiction that is honest and unapologetically brutal, yet her twin protagonists are never defined solely by their struggles. Instead they are artists and swimmers, archaeologists and poets, searching for the smallest glints of hope in a world where their love for each other is the only constant. Dedicated to the memory of six women who disappeared or were killed in Chillicothe, Ohio, the novel asks pressing questions about why society deems some injustices tragic and others merely inconvenient. If only all women whose suffering has been ignored could have an artist as gifted as McDaniel to give their eulogy. "
Anjali Sachdeva, author of All the Names They Used For God
"Tiffany McDaniel spins an elaborate, glittering web of brutality and childlike innocence. On the Savage Side lays bare the cruel devolution of addiction, and the way it clings to a family, dragging them into poverty and desperate acts. This book will leave you breathless, heartbroken, and agape at how beauty persists in the midst of tragedy."
Bryn Greenwood, author of The Reckless Oath We Made and All the Ugly and Wonderful Things
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