Our Nig
or, Sketches from the Life of a Free Black
(Sprache: Englisch)
For the 150th anniversary of its first publication, a new edition of the pioneering African American classic, reflecting groundbreaking discoveries about its author's life
A Penguin Classic
First published in 1859, Our Nig is an...
A Penguin Classic
First published in 1859, Our Nig is an...
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For the 150th anniversary of its first publication, a new edition of the pioneering African American classic, reflecting groundbreaking discoveries about its author's lifeA Penguin Classic
First published in 1859, Our Nig is an autobiographical narrative that stands as one of the most important accounts of the life of a black woman in the antebellum North. In the story of Frado, a spirited black girl who is abused and overworked as the indentured servant to a New England family, Harriet E. Wilson tells a heartbreaking story about the resilience of the human spirit. This edition incorporates new research showing that Wilson was not only a pioneering African-American literary figure but also an entrepreneur in the black women's hair care market fifty years before Madame C. J. Walker's hair care empire made her the country's first woman millionaire.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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IntroductionHenry Louis Gates, Jr., and R. J. Ellis
I can say with much pleasure that when the Regenerator was first applied to my own hair it was very gray, and falling from my head, and my scalp was in a very unhealthy state; but upon a few applications I discovered a decided change, and soon my hair assumed its original color and health of youth.
-Mrs. H. E. Wilson, Nashua, N.H.
Harriet E. Adams Wilson's Our Nig (1859) is the first novel written and published in English by an African American woman writer. The story Wilson tells is profoundly moving and seemingly straightforward. But this straightforwardness is deceptive: the novel, taking as its unusual focus the fate of a Northern mulatta, Alfrado (or Frado) Smith, explores in unique detail the contested position of free blacks in antebellum America, and specifically the plight of female free blacks, at what was a highly problematic time in America's racial history.
Frado is deserted as a young girl by Mag Smith, her white mother, following the death of her African American father, Jim, "a kind- hearted African," and Mag's subsequent marriage to Jim's friend, Seth Shipley. The Shipleys cannot cope financially and decide to move away, resolving to leave Frado behind. They deposit Frado at the home of a white New England farming family, the Bellmonts. There she becomes their farm servant, treated harshly and derogatorily nicknamed "Our Nig." Two members of this family, Mrs. Bellmont and her daughter, Mary, sadistically mistreat Frado. The males of the Bellmont household and a maiden aunt, Aunt Abby, voice their support for her and sometimes even attempt to protect her but fail to assist her in any meaningful way, for lack of will and courage.
The novel depicts Frado's progress in learning to defend herself from this harsh treatment by fighting back with words and actions and finding her voice. After years of mistreatment, Frado completes her period of service and is allowed to leave. Wilson
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sketchily outlines Frado's subsequent fortunes in two closing chapters, in which she meets a young black man, Samuel, quickly marries him, and has a child. He soon deserts her, after confessing to her that he is passing himself off as a fugitive slave in order to profit from the abolitionist lecture circuit. Left behind in New England, Frado does obtain some financial support, including public charity, but always lives in dire poverty. This destitution and her declining health (precipitated by Mrs. Bellmont's sustained physical abuse) eventually force her to leave her child in foster care as she struggles to survive.
Alongside Frado's story, we learn details of the Bellmont family's own problems, generated most often by Mrs. B.'s meanness. But the novel's plot focuses principally on Frado's sufferings and her uncertain progress toward embracing Christianity. Three pseudonymous testimonials at the end of the book emphasize the Christian context of the tale and urge its authenticity, while an author's preface explains that she is publishing her story to rescue herself and her child from destitution. One of the testimonials further reveals that the author and her child have been reduced to drawing upon public relief. Published in 1859, Our Nig offers, through this simple story, a very rare thing indeed: a sustained representation of the life of an antebellum free black female, born and bred in New England and working as a farm servant. As Alice Walker observed in 1983 in a comment published on the dust jacket of the first Random House edition edited by Henry Louis Gates, Jr., the novel is of "enormous significance" because it represents "heretofore unexamined experience." It is one of the very first full-length books written by an African American who was not a slave; it stands as a hallmark of literary history as the first novel published by an African American woman in the United States; and it subtly combines compelling storytelling with
Alongside Frado's story, we learn details of the Bellmont family's own problems, generated most often by Mrs. B.'s meanness. But the novel's plot focuses principally on Frado's sufferings and her uncertain progress toward embracing Christianity. Three pseudonymous testimonials at the end of the book emphasize the Christian context of the tale and urge its authenticity, while an author's preface explains that she is publishing her story to rescue herself and her child from destitution. One of the testimonials further reveals that the author and her child have been reduced to drawing upon public relief. Published in 1859, Our Nig offers, through this simple story, a very rare thing indeed: a sustained representation of the life of an antebellum free black female, born and bred in New England and working as a farm servant. As Alice Walker observed in 1983 in a comment published on the dust jacket of the first Random House edition edited by Henry Louis Gates, Jr., the novel is of "enormous significance" because it represents "heretofore unexamined experience." It is one of the very first full-length books written by an African American who was not a slave; it stands as a hallmark of literary history as the first novel published by an African American woman in the United States; and it subtly combines compelling storytelling with
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Autoren-Porträt von Harriet E. Wilson
Harriet E. Wilson (1825 1900) was born in New Hampshire, where she worked from a young age as a servant to an abusive family. P. Gabrielle Foreman, a MacArthur Fellow, is a professor of American literature, African American studies, and history at Pennsylvania State University, where she is also the founding co-director of the Center for Black Digital Research/#DigBlk.
Reginald Pitts is a historical researcher and genealogist with more than twenty years experience.
Bibliographische Angaben
- Autor: Harriet E. Wilson
- 2009, Rev. ed., 176 Seiten, Maße: 13,3 x 19,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: P. Gabrielle Foreman, Reginald Pitts
- Verlag: Penguin Books UK
- ISBN-10: 0143105760
- ISBN-13: 9780143105763
- Erscheinungsdatum: 01.12.2009
Sprache:
Englisch
Pressezitat
" The landmark research and skillful criticism done by Foreman and Pitts should shape discussion of Our Nig for years to come."-African American Review
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