The Oxford Handbook of the American Musical
(Sprache: Englisch)
This book presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical...
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This book presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions.
Inhaltsverzeichnis zu „The Oxford Handbook of the American Musical “
Introduction (Stacy Wolf); I. Historiography; 1. Narratives and Values: Stories of the Musical (Mitchell Morris); 2. Texts and Authors (Jim Lovensheimer); 3. Marian Waltzes while Harold Marches: Musical Styles and Types in the American Musical (Paul Laird); 4. Evolution of Dance in the Golden Age of the American Book Musical (Liza Gennaro); II. Transformations; 5. Minstrelsy and Theatrical Miscegenation (Thomas L. Riis); 6. Toward the First Golden Age: Tin Pan Alley Songs on Stage and Screen before World War II (Raymond Knapp and Mitchell Morris); 7. Integration (Geoffrey Block); 8. After the Golden Age (Jessica Sternfeld & Elizabeth L. Wollman); III. Media; 9. Theatre (Tamsen Wolff); 10. The Filmed Musical: Fissures and Fusions between Stage and Screen (Raymond Knapp and Mitchell Morris); 11. The Television Musical: Rodgers & Hammerstein's Cinderella (Robynn J. Stilwell); 12. The Animated Film Musical (Susa
Autoren-Porträt von Raymond Knapp, Mitchell Morris, Stacy Wolf
Raymond Knapp is Professor of Musicology at UCLA. His five books include Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (2003), The American Musical and the Formation of National Identity (2005; winner of the George Jean Nathan Award for Dramatic Criticism), The American Musical and the Performance of Personal Identity (2006), and Musicological Identities: Essays in Honor of Susan McClary (2008, co-edited with UCLA alumni Steven Baur and Jacqueline Warwick). He has published in most of the major journals in musicology and in several book collections on these and a wide range of additional topics, including Beethoven, Wagner, Brahms, Tchaikovsky, nationalism, musical allusion, music and identity, and film music.
Bibliographische Angaben
- Autoren: Raymond Knapp , Mitchell Morris , Stacy Wolf
- 2011, 480 Seiten, Maße: 17,8 x 25,1 cm, Gebunden, Englisch
- Herausgegeben: Raymond Knapp, Mitchell Morris, Stacy Wolf
- Verlag: OXFORD UNIV PR
- ISBN-10: 0195385942
- ISBN-13: 9780195385946
Sprache:
Englisch
Rezension zu „The Oxford Handbook of the American Musical “
"Bibliographic references, keyed to a lengthy end-of-volume bibliography, and chapter endnotes provide good documentation...Furnish[es] a good overall background for understanding the American musical...Recommended." --ChoiceKommentar zu "The Oxford Handbook of the American Musical"
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