A Companion to the American Short Story / Blackwell Companions to Literature and Culture (PDF)
(Sprache: Englisch)
A Companion to the American Short Story traces the
development of this versatile literary genre over the past two
centuries. Written by leading critics in the field, and edited by
two major scholars, it explores a wide range of writers, from Edgar
Allen...
development of this versatile literary genre over the past two
centuries. Written by leading critics in the field, and edited by
two major scholars, it explores a wide range of writers, from Edgar
Allen...
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A Companion to the American Short Story traces the
development of this versatile literary genre over the past two
centuries. Written by leading critics in the field, and edited by
two major scholars, it explores a wide range of writers, from Edgar
Allen Poe and Edith Wharton, Kate Chopin, and Charles Chesnutt at
the end of the nineteenth century. In the twentieth the
focus is on such important Modern writers as Ernest Hemingway,
William Faulkner, F. Scott Fitzgerald, and Richard Wright before
moving into the contemporary period with essays on Raymond Carver,
Saul Bellow, and Denise Chávez. Contributions with a
broader focus address groups of multiethnic, Asian, and Jewish
writers. All the essays set the short story in context, focusing on
the interaction of cultural forces and aesthetic principles.
The Companion takes account of cutting edge approaches to
literary studies and contributes to the ongoing redefinition of the
American canon, embracing genres such as ghost and detective
fiction, cycles of interrelated short fiction, and comic, social
and political stories. The volume also reflects the diverse
communities that have adopted this literary form and made it their
own, featuring entries on a variety of feminist and multicultural
traditions. This volume presents an important new consideration of
the role of the short story in the literary history of American
literature.
development of this versatile literary genre over the past two
centuries. Written by leading critics in the field, and edited by
two major scholars, it explores a wide range of writers, from Edgar
Allen Poe and Edith Wharton, Kate Chopin, and Charles Chesnutt at
the end of the nineteenth century. In the twentieth the
focus is on such important Modern writers as Ernest Hemingway,
William Faulkner, F. Scott Fitzgerald, and Richard Wright before
moving into the contemporary period with essays on Raymond Carver,
Saul Bellow, and Denise Chávez. Contributions with a
broader focus address groups of multiethnic, Asian, and Jewish
writers. All the essays set the short story in context, focusing on
the interaction of cultural forces and aesthetic principles.
The Companion takes account of cutting edge approaches to
literary studies and contributes to the ongoing redefinition of the
American canon, embracing genres such as ghost and detective
fiction, cycles of interrelated short fiction, and comic, social
and political stories. The volume also reflects the diverse
communities that have adopted this literary form and made it their
own, featuring entries on a variety of feminist and multicultural
traditions. This volume presents an important new consideration of
the role of the short story in the literary history of American
literature.
Inhaltsverzeichnis zu „A Companion to the American Short Story / Blackwell Companions to Literature and Culture (PDF)“
Notes on Contributors. Acknowledgments. Part I: The Nineteenth Century. 1 The Emergence and Development of the American Short Story (Alfred Bendixen). 2 Poe and the American Short Story (Benjamin F. Fisher). 3 A Guide to Melville's "Bartleby, the Scrivener" (Steven T. Ryan). 4 Towards History and Beyond: Hawthorne and the American Short Story (Alfred Bendixen). 5 Charles W. Chesnutt and the Fictions of a "New" America (Charles Duncan). 6 Mark Twain and the American Comic Short Story (David E. E. Sloane). 7 New England Local-Color Literature: A Colonial Formation (Josephine Donovan). 8 Charlotte Perkins Gilman and the Feminist Tradition of the American Short Story (Martha J. Cutter). 9 The Short Stories of Edith Wharton (Donna Campbell). Part II: The Transition into the New Century. 10 The Short Stories of Stephen Crane (Paul Sorrentino). 11 Kate Chopin (Charlotte Rich). 12 Frank Norris and Jack London (Jeanne Campbell Reesman). 13 From "Water Drops" to General Strikes: Nineteenth- and Early Twentieth-Century Short Fiction and Social Change (Andrew J. Furer). Part III: The Twentieth Century. 14 The Twentieth Century: A Period of Innovation and Continuity (James Nagel). 15 The Hemingway Story (George Monteiro). 16 William Faulkner's Short Stories (Hugh Ruppersburg). 17 Katherine Anne Porter (Ruth M. Alvarez). 18 Eudora Welty and the Short Story: Theory and Practice (Ruth D. Weston). 19 The Short Stories of F. Scott Fitzgerald: Structure, Narrative Technique, Style (Kirk Curnutt). 20 "The Look of the World": Richard Wright on Perspective (Mikko Tuhkanen). 21 Small Planets: The Short Fiction of Saul Bellow (Gloria L. Cronin). 22 John Updike (Robert M. Luscher). 23 Raymond Carver in the Twenty-First Century (Sandra Lee Kleppe). 24 Multi-Ethnic Female Identity and Denise Chávez's The Last of the Menu Girls (Karen Weekes). Part IV: Expansive Considerations. 25 Landscape as Haven in American Women's Short Stories (Leah B. Glasser). 26 The American Ghost Story (Jeffrey
... mehr
Andrew Weinstock). 27 The Detective Story (Catherine Ross Nickerson). 28 The Asian American Short Story (Wenying Xu). 29 The Jewish American Story (Andrew Furman). 30 The Multiethnic American Short Story (Molly Crumpton Winter). 31 "Should I Stay or Should I Go?" American Restlessness and the Short-Story Cycle (Jeff Birkenstein). Index.
... weniger
Autoren-Porträt von Alfred Bendixen, James Nagel
Alfred Bendixen has taught at Princeton University, Texas A&M University, California State University - Los Angeles, and Barnard College. He is best known as the founder and Executive Director of the American Literature Association. His recent work focuses on the development of genre in a democratic society and includes The Cambridge Companion to American Travel Writing, co-edited with Judith Hamera (2009); A Companion to the American Novel, (Blackwell 2012); The Cambridge History of American Poetry, co-edited with Stephen Burt (2015); and The Centrality of Crime Fiction in American Literary Culture, co-edited with Olivia Carr Edenfield ( Routledge 2017).James Nagel is the Eidson Distinguished Professor of American Literature Emeritus at the University of Georgia. From 2012 to 2018 he served as Resident Scholar at Dartmouth College. Early in his career he founded the scholarly journal Studies in American Fiction and the widely influential series Critical Essays on American Literature. Among his twenty-four books are Stephen Crane and Literary Impressionism, Hemingway in Love and War (which was made into a Hollywood film directed by Lord Richard Attenborough), The Contemporary American Short-Story Cycle, and Race and Culture in New Orleans Stories. He has published some eighty articles in the field, and he has lectured on American literature in seventeen countries.
Bibliographische Angaben
- Autoren: Alfred Bendixen , James Nagel
- 2010, 1. Auflage, 536 Seiten, Englisch
- Herausgegeben: Alfred Bendixen, James Nagel
- Verlag: John Wiley & Sons
- ISBN-10: 1444319922
- ISBN-13: 9781444319927
- Erscheinungsdatum: 28.01.2010
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