Dancefloor-Driven Literature (ePub)
The Rave Scene in Fiction
(Sprache: Englisch)
Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book...
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Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve.
The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
Autoren-Porträt von Simon A. Morrison
Simon A. Morrison is Programme Leader for Music Journalism at the University of Chester, UK. He is author of Discombobulated (2010) - a collection of Gonzo 'Dispatches from the Wrong Side' columns penned for DJmagazine and published in the UK and US by Headpress - and has reported on the music scene everywhere from Beijing to Brazil, Moscow to Marrakech. He edited Ministry of Sound's Ibiza magazine for two years and has also produced and presented TV and radio. A screenplay Simon penned, based on a story he wrote for The Guardian, is currently with a television production company. Within academe, Simon has contributed to Bloomsbury books including How to Write about Music, DJ Culture in the Mix and Kerouac on Record, as well as various academic publications including the journal Popular Music. Simon has presented this research at conferences across the world, including Portugal, Germany and Australia.
Bibliographische Angaben
- Autor: Simon A. Morrison
- 2020, 1. Auflage, 256 Seiten, Englisch
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 1501357689
- ISBN-13: 9781501357688
- Erscheinungsdatum: 14.05.2020
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eBook Informationen
- Dateiformat: ePub
- Größe: 2.32 MB
- Mit Kopierschutz
Sprache:
Englisch
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