Deleuze and Lola Montès (PDF)
(Sprache: Englisch)
Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.
From one of the foremost theorists...
From one of the foremost theorists...
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Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.
From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
Autoren-Porträt von Richard Rushton
Richard Rushton is Senior Lecturer in Film at Lancaster University, UK. He is author of Cinema After Deleuze (2012), The Reality of Film (2011), The Politics of Hollywood Cinema (2012), and What is Film Theory? (co-written with Gary Bettinson, 2010).
Bibliographische Angaben
- Autor: Richard Rushton
- 2020, 1. Auflage, 200 Seiten, Englisch
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 150134577X
- ISBN-13: 9781501345777
- Erscheinungsdatum: 10.12.2020
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- Dateiformat: PDF
- Größe: 2.46 MB
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Englisch
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