We Should All Be Feminists
(Sprache: Englisch)
The highly acclaimed, provocative New York Times bestseller from the award-winning author of Americanah.
In this personal, eloquently-argued essay-adapted from the much-admired TEDx talk of the same name-Chimamanda Ngozi Adichie offers readers a unique...
In this personal, eloquently-argued essay-adapted from the much-admired TEDx talk of the same name-Chimamanda Ngozi Adichie offers readers a unique...
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The highly acclaimed, provocative New York Times bestseller from the award-winning author of Americanah.In this personal, eloquently-argued essay-adapted from the much-admired TEDx talk of the same name-Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now-and an of-the-moment rallying cry for why we should all be feminists.
"Nuanced and rousing." -Vogue
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INTRODUCTIONThis is a modified version of a talk I delivered in December 2012 at TEDxEuston, a yearly conference focused on Africa. Speakers from diverse fields deliver concise talks aimed at challenging and inspiring Africans and friends of Africa. I had spoken at a different TED conference a few years before, giving a talk titled The Danger of the Single Story about how stereotypes limit and shape our thinking, especially about Africa. It seems to me that the word feminist, and the idea of feminism itself, is also limited by stereotypes. When my brother Chuks and best friend Ike, both co-organizers of the TEDxEuston conference, insisted that I speak, I could not say no. I decided to speak about feminism because it is something I feel strongly about. I suspected that it might not be a very popular subject, but I hoped to start a necessary conversation. And so that evening as I stood onstage, I felt as though I was in the presence of family a kind and attentive audience, but one that might resist the subject of my talk. At the end, their standing ovation gave me hope.
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WE SHOULD ALL BE FEMINISTS
Okoloma was one of my greatest childhood friends. He lived on my street and looked after me like a big brother: if I liked a boy, I would ask Okoloma s opinion. Okoloma was funny and intelligent and wore cowboy boots that were pointy at the tips. In December 2005, in a plane crash in southern Nigeria, Okoloma died. It is still hard for me to put into words how I felt. Okoloma was a person I could argue with, laugh with and truly talk to. He was also the first person to call me a feminist.
I was about fourteen. We were in his house, arguing, both of us bristling with half- baked knowledge from the books we had read. I don t remember what this particular argument was about. But I remember that as I argued and argued, Okoloma looked at me and said, You know, you re a feminist.
It was not a compliment. I could tell from his tone the same
... mehr
tone with which a person would say, You re a supporter of terrorism.
I did not know exactly what this word feminist meant. And I did not want Okoloma to know that I didn t know. So I brushed it aside and continued to argue. The first thing I planned to do when I got home was look up the word in the dictionary.
Now fast-forward to some years later. In 2003, I wrote a novel called Purple Hibiscus, about a man who, among other things, beats his wife, and whose story doesn t end too well. While I was promoting the novel in Nigeria, a journalist, a nice, well-meaning man, told me he wanted to advise me. (Nigerians, as you might know, are very quick to give unsolicited advice.)
He told me that people were saying my novel was feminist, and his advice to me he was shaking his head sadly as he spoke was that I should never call myself a feminist, since feminists are women who are unhappy because they cannot find husbands.
So I decided to call myself a Happy Feminist.
I did not know exactly what this word feminist meant. And I did not want Okoloma to know that I didn t know. So I brushed it aside and continued to argue. The first thing I planned to do when I got home was look up the word in the dictionary.
Now fast-forward to some years later. In 2003, I wrote a novel called Purple Hibiscus, about a man who, among other things, beats his wife, and whose story doesn t end too well. While I was promoting the novel in Nigeria, a journalist, a nice, well-meaning man, told me he wanted to advise me. (Nigerians, as you might know, are very quick to give unsolicited advice.)
He told me that people were saying my novel was feminist, and his advice to me he was shaking his head sadly as he spoke was that I should never call myself a feminist, since feminists are women who are unhappy because they cannot find husbands.
So I decided to call myself a Happy Feminist.
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Autoren-Porträt von Chimamanda Ngozi Adichie
Chimamanda Ngozi Adichie
Bibliographische Angaben
- Autor: Chimamanda Ngozi Adichie
- 2015, 64 Seiten, Maße: 11,1 x 15,7 cm, Kartoniert (TB), Englisch
- Verlag: VINTAGE
- ISBN-10: 110191176X
- ISBN-13: 9781101911761
- Erscheinungsdatum: 15.03.2017
Sprache:
Englisch
Pressezitat
Nuanced and rousing. Vogue Adichie is so smart about so many things. San Francisco Chronicle
"An enchanting plea by the award-winning Nigerian novelist to channel anger about gender inequality into positive change." KIRKUS
"A call to action, for all people in the world, to undo the gender hierarchy." Medium
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