Chinese Film Festivals

.Introduction.-.Section 1: Translating the Film Festival.- .A: International Film Festivals in the Chinese Speaking World.- .1. Chris Berry, ¿Shanghai and Hong Kong: A Tale of Two Festivals.¿.-.2. Elena Pollacchi, ¿¿Mature at Birth¿: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.¿.-.3. Ming-yeh T. Rawnsley, ¿Culture Translation between `Local¿ and `International¿: The Golden Harvest Award Festival in Taiwan.¿.-.B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World.- .4. Hongwei Bao, ¿Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.¿.-.5. Flora Lichaa, ¿The Beijing Independent Film Festival: Translating the Non-Profit Model into China.¿.-.6. Nikki J.Y. Lee and Julian Stringer, ¿`Chinäs Sundance¿ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.¿.-.7. Esther C.M. Yau, ¿What Can Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.¿.-.8. Sabrina Qiong Yu and Lydia Dan Wu, ¿The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.¿.-.C: Chinese Film Festivals Outside the Chinese-Speaking World.- .9. Luke Robinson, ¿Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.¿.-.Section 2: Translating Culture.- .A: International Film Festivals in the Chinese-Speaking World.- .10. Dina Iordanova, ¿Yingying, Zhenzhen and Fenfen? China at the Festivals.¿.-.11. Ma Ran, ¿Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.¿.-.12. Gina Marchetti, ¿Clara Law¿s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short.¿.-.B: Specialized Film Festivals in the Chinese-Speaking

Chris Berry is Professor of Film Studies at King's College London, UK. His primary publications include Cinema and the National: China on Screen; Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution; Public Space, Media Space; and The New Chinese Documentary Film Movement: For the Public Record. 

Luke Robinson is Lecturer in Film Studies at the University of Sussex, UK. He is the author of Independent Chinese Documentary: From the Studio to the Street, and book chapters and articles on Chinese-language feature film, animation, documentary, and film festivals.