Chinese Painting and Its Audiences
(Sprache: Englisch)
What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of...
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What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years
Autoren-Porträt von Craig Clunas
Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, and Art in China.
Bibliographische Angaben
- Autor: Craig Clunas
- 2017, 302 Seiten, 200 farbige Abbildungen, 50 Schwarz-Weiß-Abbildungen, Maße: 21 x 29,9 cm, Gebunden, Englisch
- Verlag: Princeton University Press
- ISBN-10: 0691171939
- ISBN-13: 9780691171937
- Erscheinungsdatum: 27.01.2017
Sprache:
Englisch
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