Comics and the World Wars
A Cultural Record
(Sprache: Englisch)
This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural...
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Klappentext zu „Comics and the World Wars “
This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.
Inhaltsverzeichnis zu „Comics and the World Wars “
Foreword; Kent Worcester
1. Introduction
2. A Proposed Theory and Method for the Incorporation of Comic Books as Primary Sources
3. Haselden as Pioneer: Reflecting or Constructing Home Front Opinion?
4. Proto Comics as Trench Record: Anti-Heroism, Disparagement Humour and Citizens' Journalism
5. The Rise and Fall of the World War One Gullible Worker as a Counter Culture
6. Adjusting to Total War: US Propaganda, Commerce and Audience
7. The Cultural Construction of Women: Pin-Ups, Proactive Women and Representation in Combat
8. Collective Culture as Dynamic Record: The Daily Worker 1940-43
9. Conclusion
Bibliographische Angaben
- Autoren: Jane L. Chapman , Adam Sherif , Anna Hoyles , Andrew Kerr
- 2015, 1st ed., 217 Seiten, Maße: 21,6 cm, Gebunden, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137273712
- ISBN-13: 9781137273710
Sprache:
Englisch
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