Dead Astronauts
(Sprache: Englisch)
Under the watchful eye of The Company, three characters - Grayson, Morse and Chen - shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit.
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Under the watchful eye of The Company, three characters - Grayson, Morse and Chen - shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit.
Klappentext zu „Dead Astronauts “
Under the watchful eye of The Company, three characters - Grayson, Morse and Chen - shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit. A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden.
Jeff VanderMeer's Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth - all the Earths.
Autoren-Porträt von Jeff VanderMeer
Vandermeer, Jeff Jeff VanderMeer is an award-winning novelist and editor. His fiction has been translated into twenty languages and has appeared in the Library of America's American Fantastic Tales and in multiple year's-best anthologies. He writes non-fiction for the Washington Post, the New York Times Book Review, the Los Angeles Times, and the Guardian, among others. He grew up in the Fiji Islands and now lives in Tallahassee, Florida, with his wife.
Bibliographische Angaben
- Autor: Jeff VanderMeer
- 2019, 324 Seiten, Maße: 13,4 x 21,6 cm, Kartoniert (TB), Englisch
- Verlag: HarperCollins UK
- ISBN-10: 000837533X
- ISBN-13: 9780008375331
- Erscheinungsdatum: 12.12.2019
Sprache:
Englisch
Pressezitat
Praise for Dead Astronauts: 'A genuinely innovative artwork requires time to fulfil its effect. Jeff VanderMeer's Dead Astronauts is one such work - bewildering, perplexing, original - and I would recommend that readers allow it the concentration it demands ... this kind of formal innovation is pure catnip, an indication that as a mode of literary expression the novel is still vigorous, still developing and still important' Guardian
'There's beauty as well as horror here; moments of weaponised whimsy, plus his usual clear-eyed ecological themes. This is wild science fiction, but it's also an angry book that's very much about the present day... you'll find some of the author's strongest writing and a genuinely original tale of environmental apocalypse' SFX Magazine
'An immersive, fantastical adventure, but also a compelling allegory for the role of individual resistance in the face of seemingly intractable planet-sized problems like climate change' New York Times
Praise for Borne:
'Jeff VanderMeer's Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel' Colson Whitehead
'Jeff VanderMeer's deeply strange and brilliant new novel extends the meditation on the central question of non-human sentience in his earlier work ... No one writes a post-apocalyptic landscape like VanderMeer, so detailed and strange in all its lineaments and topography' Neel Mukherjee, Guardian
'From being a very successful SF writer, VanderMeer will become mainstream - and Borne is full of signs that he is already thinking ahead of that easy transition, and perhaps subverting it' Toby Litt, New Statesman
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