Directing Poiesis
(Sprache: Englisch)
Directing Poiesis grows out of the theatre's need to develop and to formulate a poetics of theatre directing, applicable to all forms of theatre art. Since it is a relatively new phenomenon in the history of theatre, there are many views of what is the...
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Directing Poiesis grows out of the theatre's need to develop and to formulate a poetics of theatre directing, applicable to all forms of theatre art. Since it is a relatively new phenomenon in the history of theatre, there are many views of what is the essence, nature and meaning of directing. This study addresses these questions from both theoretical and practical perspectives, and explores the idea of directing as a powerful expression of the director's individuality, imagination, and fantasy. Under this paradigm, the director is considered to be a theatre artist par excellence, and a true poet of the theatre. In this study, directing is recognized as an authorial art and act, and is considered to be the Alpha and Omega of the theatre.
Autoren-Porträt von Naum Panovsky
The Author: Naum Panovski is a Theatre Director and Professor of Theatre Theory and History at Cyril and Methodius University in Skopje, Macedonia. During his rich artistic career he has directed and produced numerous highly recognized and awarded theatre performances, and has written many articles and essays on theatre theory and aesthetics. His recent book, The Theatre as a Weapon, has been recognized as a fine contribution to the history and sociology of the theatre. He holds a Ph.D. in the humanities and theatre aesthetics from the University of Texas at Dallas.
Bibliographische Angaben
- Autor: Naum Panovsky
- 1993, Neuausg., XIV, 236 Seiten, Maße: 15,9 x 23,7 cm, Gebunden, Englisch
- Verlag: Peter Lang
- ISBN-10: 0820420743
- ISBN-13: 9780820420745
- Erscheinungsdatum: 01.11.1993
Sprache:
Englisch
Pressezitat
"At last someone has put the director at the center stage. Panovski's treatment forces us to 'look again' as we watch the twentieth-century revolution of the theatre take place." (Robert W. Corrigan, The University of Texas at Dallas)"'Directing Poiesis' is deeper, wiser and more truly artistic in its outlook than the usual texts in the field of theatre. It presents a coherent overview of the whole history and theory of directing and does not lose its commitment for its higher purpose in its pursuit of creative detail and excellence."
"The more thoughtful books on performance theory by writers like Herbert Blau or Richard Schechner, excellent though they are, assume a knowledge of the history and theory of directing and do not have the scope of Panovski's work."
"A book like 'Directing Poiesis' could become a classic." (Frederick Turner, The University of Texas at Dallas)
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