Isamu Noguchi's Modernism
Negotiating Race, Labor, and Nation, 1930-1950
(Sprache: Englisch)
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Exploring the complex interweaving of race, national identity, and the practice of sculpture, Amy Lyford takes us through a close examination of the early US career of the Japanese American sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950 were perhaps some of the most fertile of Noguchi's career. Yet the work that he produced during this time has received little sustained attention. Weaving together new archival material, little-known or unrealized works, and those that are familiar, Lyford offers a fresh perspective on the significance of Noguchi's modernist sculpture to twentieth-century culture and art history. Through an examination of his work, this book tells a story about his relation to the most important cultural and political issues of his time.
Autoren-Porträt von Amy Lyford
Amy Lyford is Professor of Art History at Occidental College and is the author of Surrealist Masculinities: Gender Anxiety and the Aesthetics of PostWorld War I Reconstruction in France (UC Press, 2007).
Bibliographische Angaben
- Autor: Amy Lyford
- 2013, 294 Seiten, 16 farbige Abbildungen, 83 Schwarz-Weiß-Abbildungen, Maße: 17,7 x 25,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: Amy Lyford
- Verlag: University of California Press
- ISBN-10: 0520298497
- ISBN-13: 9780520298491
- Erscheinungsdatum: 20.04.2018
Sprache:
Englisch
Pressezitat
"Provides new opportunities for examining Noguchi's political alliances, his work itself and overarching social agendas of the time." - Pacific Affairs
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