Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
(Sprache: Englisch)
A study of Chantal Akerman's groundbreaking 1975 film Jeanne Dielman in the BFI Film Classics series.
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Produktinformationen zu „Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles “
A study of Chantal Akerman's groundbreaking 1975 film Jeanne Dielman in the BFI Film Classics series.
Klappentext zu „Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles “
"Lucid, lively and extremely knowledgeable." Sight & SoundCatherine Fowler's study positions Jeanne Dielman as a 'contrary' classic, its contrariness arising from director Chantal
Akerman's decision to frame an unliberated housewife through a kind of 'slow looking'. By choosing to stay with Jeanne in the kitchen, the film both 'differences' the canon and diverges from Akerman's liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.
Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman's invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist.
Inhaltsverzeichnis zu „Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles “
Acknowledgments 1. On Canons, Classics, Plots and Movie Theatres: A Challenge 2. The Making of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles 3. Choosing NO Liberation: The Housewife, Feminism and the Women's Movement 4. Delphine Does the Dishes 5. Slow Looking Notes Credits
Autoren-Porträt von Catherine Fowler
Dr Catherine Fowler is the Associate Professor in Film at the University of Otago, New Zealand. She has been a student of Chantal Akerman's cinema for some twenty five years, having written her PhD on Akerman's 'cinema of displacements' and published aspects of it in various edited collections. Her most recent book on British film-maker Sally Potter, published 2008, offers the first book length survey of a director who uses song, dance, performance and poetry to expand our experience of cinema beyond the audiovisual.
Bibliographische Angaben
- Autor: Catherine Fowler
- 2021, 96 Seiten, 60 farbige Abbildungen, Maße: 13,5 x 18,8 cm, Kartoniert (TB), Englisch
- Verlag: British Film Institute
- ISBN-10: 1839022825
- ISBN-13: 9781839022821
- Erscheinungsdatum: 20.01.2022
Sprache:
Englisch
Pressezitat
Lucid, lively and extremely knowledgeable. Hannah McGill Sight & Sound
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