Miles Davis, Miles Smiles, and the Invention of Post Bop
(Sprache: Englisch)
Focusing on one of the legendary musicians in jazz, this book examines Miles Davis's often overlooked music of the mid-1960s with a close examination of the evolution of a new style: post bop. Jeremy Yudkin traces Davis's life and work during a period when...
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Focusing on one of the legendary musicians in jazz, this book examines Miles Davis's often overlooked music of the mid-1960s with a close examination of the evolution of a new style: post bop. Jeremy Yudkin traces Davis's life and work during a period when the trumpeter was struggling with personal and musical challenges only to emerge once again as the artistic leader of his generation.A major force in post-war American jazz, Miles Davis was a pioneer of cool jazz, hard bop, and modal jazz in a variety of small group formats. The formation in the mid-1960s of the Second Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams was vital to the invention of the new post bop style. Yudkin illustrates and precisely defines this style with an analysis of the 1966 classic Miles Smiles.
Inhaltsverzeichnis zu „Miles Davis, Miles Smiles, and the Invention of Post Bop “
Acknowledgments
Introduction
Autoren-Porträt von Jeremy Yudkin
Jeremy Yudkin is professor of music at the College of Fine Arts and associated faculty of the Department of African American Studies at Boston University and Visiting Professor of Music at Oxford University.
Bibliographische Angaben
- Autor: Jeremy Yudkin
- Altersempfehlung: Ab 18 Jahre
- 2007, 184 Seiten, Maße: 14 x 21,6 cm, Kartoniert (TB), Englisch
- Verlag: INDIANA UNIV PR
- ISBN-10: 0253219523
- ISBN-13: 9780253219527
Sprache:
Englisch
Rezension zu „Miles Davis, Miles Smiles, and the Invention of Post Bop “
"This book combines serious historical research with penetrating analysis of the music and a generous portion of musical examples... Jeremy Yudkin has made an excellent contribution to jazz literature." Larry Dwyer, Director of Jazz Studies, University of Notre Dame "...the author writes convincingly about the actual music, as well as its surrounding circumstances...this book should be widely welcomed and especially recommended to readers interested in the nuts and bolts of the music." -Brian Priestley, Jazzwise
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