Ottoman Empire and European Theatre Vol. I

'Performer'

Günsel Renda (Istanbul): The European Ambassadors at the Ottoman Court: The Imperial Protocol in the Eighteenth Century

Frank Huss (Vienna): "Auf türkische Art prächtig aufgeputzt": The Visit to Vienna by the Extraordinary Ottoman Envoy, Chaddi Mustafa Efendi, in the Year 1748Jannissaries and Mehter - Turkish Military Music

William F. Parmentier II (Istanbul): The Mehter: Cultural Perceptions and Interpretations of Turkish Drum and Bugle Music Throughout HistoryAct II: Europe South, West and NorthMilan, London and Vienna

Alexandre Lhâa (Aix-en-Provence): Performing 'Turkish Rulers' on the Teatro alla Scala's Stage: From the Late Eighteenth to the Mid Nineteenth Century

Esin Akalin (Istanbul): The Ottoman Seraglio on European Stages

Emre Araci (London): "Help for the Turk": Investigating Ottoman Musical Representations in Britain from the Late Eighteenth to the Mid Nineteenth CenturyCopenhagen and Paris

Bent Holm (Copenhagen): The Staging of the Turk: The Turk in the Danish Theatre of the Eighteenth Century

Isabelle Moindrot (Paris): The 'Turk' and the 'Parisienne': From Favart's Soliman second, ou Les trois sultanes (1761) to Les Trois Sultanes (Pathé, 1912)Act III: Central EuropeFrom Paris to Vienna

Thomas Betzwieser (Bayreuth): Ottoman Representation and Theatrical alla turca: Visiting an Unknown Viennese Source of 'Turkish' Incidental Music

Michael Hüttler (Vienna): 'Turks' on the Late Eighteenth Century's Viennese Stage: A Research Project Based on the Viennese Repertoire

Matthias J. Pernerstorfer (Vienna): The Second Turkish Siege of Vienna (1683) Reflected in its First Centenary: 'Anniversary Plays' in the Pálffy Theatre Library, ViennaFrom Vienna to Lwiv

Erich Duda (Vienna): Mozart's Pupil and Friend: Franz Xaver Süssmayr's Sinfonia Turchesca, Il Turco in Italia, and Soliman der Zweite

Gabriele C. Pfeiffer (Vienna): Freemason, Mozart's Contemporary, and Theatre Director on the Edge: Franz Kratter (1758-1830) and Der Friede am Pruth (1799). Cataloguing the Komplex Mauerbach, ViennaAct IV: MozartMozart and 'Turkishness'

Matthew Head (London): 'In the Orient of Vienna': Mozart's 'Turkish' Music and the Theatrical Self

Marianne Tråvén (Uppsala): Getting Emotional: Mozart's 'Turkish' Operas and the Emotive Aspect of SlaverySerail Revisited

Derek Weber (Vienna): From Zaide to Die Entführung aus dem Serail: Mozart's 'Turkish' Operas

Nadja Kayali (Vienna): Mozart's 'Orient' on StageThe Elegant Voyager to The City of The Sublime Porte

Annemarie Bönsch (Vienna): 'Turkish' and 'Exotic' References in the European Fashion of the Second Half of the Eighteenth Century

Selin Ipek (Istanbul): European Influences on Eighteenth-Century Ottoman Imperial Fashion

Käthe Springer-Dissmann (Vienna): Mozart Goes to Constantinople! The Real Conditions of a Fictitious JourneyAct V: Sultan Selim IIIIn the Ottoman Empire 1756-1808

Tülay Artan (Istanbul): A Composite Universe: Arts and Society in Istanbul at the End of the Eighteenth Century

Caroline Herfert (Vienna): 'German Poet and Turkish Diplomat': Murad Efendi, Ottoman Consul in Temeswar, and the Tragedy Selim der DritteSultan Selim III: A Man of Letters and Arts

Günsel Renda (Istanbul): Selim III as Patron of the Arts

Mustafa Fatih Salgar (Istanbul): Selim III as a Man of Letters and Art

Aysin Candan (Istanbul): The Play World of Sultan Selim IIIEpilogueThe Hero in the Sultan's Harem

Ulrike Schneider (Weimar): Between Enlightenment and Orient: Oberon by Christoph Martin Wieland

Hans-Peter Kellner (Copenhagen): From The Prince of Denmark in the Sultan's Harem to Don Juan in the Royal Danish Chambers: The Forgotten Composer Friedrich Ludwig Aemilius Kunzen (1761-1817)Appendix

Picture Gallery

Index

Curricula Vita