Technology and Culture, The Film Reader
(Sprache: Englisch)
Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.
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Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.
Inhaltsverzeichnis zu „Technology and Culture, The Film Reader “
Part 1: Origins and Evolution 1 Past, Present, and Future 2 The Myth of Total Cinema 3 Cinema and Digital Media Part 2: Visions and Manifestos 4 The Futurist Cinema 5 Kinoks: A Revolution 6 The Cinema of the Future 7 Dogme 95: The Vow of Chastity Part 3: Politics and Ideologies 8 The Work of Art in the Age of Mechanical Reproduction 9 Machines of the Visible 10 Pirates of the New World Image Orders Part 4: Identities and Interfaces 11 The Pleasure of the Interface 12 The Scene of the Screen: Envisioning Cinematic and Electronic 'Presence' 13 The Cyberstar: Digital Pleasures and the End of the Unconscious
Autoren-Porträt von Andrew Utterson
Andrew Utterson is a Senior Lecturer in the Department of Media, Canterbury Christ Church University College, UK, where he is director of the degree in Digital Culture, Arts and Media. He has published on film theory, digital theory, and on the intersection of these fields.
Bibliographische Angaben
- Autor: Andrew Utterson
- 2005, 168 Seiten, Maße: 23,4 cm, Kartoniert (TB), Englisch
- Verlag: Routledge
- ISBN-10: 0415319854
- ISBN-13: 9780415319850
Sprache:
Englisch
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