Asylum of the Birds
(Sprache: Englisch)
An extraordinary monograph by one of the most original image-makers at work today, now expanded and updated to include previously unpublished work An extraordinary monograph by one of the most revered and original image-makers at work today, now expanded...
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An extraordinary monograph by one of the most original image-makers at work today, now expanded and updated to include previously unpublished work An extraordinary monograph by one of the most revered and original image-makers at work today, now expanded and updated to include previously unpublished work.
Klappentext zu „Asylum of the Birds “
In a world in which many photographers seek to avoid definition, Roger Ballen's photographs define themselves in their defiance of classification and genre: his world stands out as one of a kind. The black-and-white images featured in Asylum of the Birds were created exclusively within the confines of a house in a Johannesburg suburb, the location of which remains a guarded secret. The inhabitants of the house, both human and animal - including, most notably, the ever-present birds - are the cast of Ballen's world, performers amidst the theatrical interiors that they create and he orchestrates. The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed.
Inhaltsverzeichnis zu „Asylum of the Birds “
Introduction by Roger Ballen; Plates; List of Works; Biography
Autoren-Porträt von Roger Ballen
Roger Ballen is one of the most important and distinctive art photographers working today. Hisprevious books with Thames & Hudson include Asylum of the Birds, The Theatre of Apparitions andBallenesque.
Bibliographische Angaben
- Autor: Roger Ballen
- 2019, 160 Seiten, 90 Abbildungen, Maße: 25,1 x 26,6 cm, Kartoniert (TB), Englisch
- Verlag: Thames and Hudson Ltd
- ISBN-10: 0500294860
- ISBN-13: 9780500294864
- Erscheinungsdatum: 23.03.2021
Sprache:
Englisch
Pressezitat
'Provocative, graphic, and unlike anything else you're likely to have seen' - British Journal of Photography
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