The Bullet-Catcher's Daughter

ROD DUNCAN writes alternate history, fantasy and contemporary crime. His novels have been shortlisted for the Philip K Dick Award, the East Midlands Book Award and the John Creasey Dagger of the Crime Writers Association. A dyslexic with a background in scientific research, he now lectures in creative writing at DeMontfort University. Some might say that he is obsessed with boundary markers, naive 18th Century gravestones and forming friendships with crows. But he says he is interested in the way things change.

It s all steampunk and circus wonder as we follow the adventures of Elizabeth Barnabas.The double crosses along the way keep the plot tight and fun, and the conclusion sets us up nicely for book two.
The Washington Post, Best New Science Fiction and Steampunk

Steeped in illusion and grounded in an alternative history of the Luddite Rebellion, Duncan s strong supernatural mystery serves ably as both a standalone adventure and the start to a series Strategically placed steampunk tropes inform but do not overwhelm Elizabeth s headlong quest to find a missing aristocrat sought by the Patent Office, which is fixated on both achieving perfection and eliminating unseemly science.  A hazardous border crossing into the permissively corrupt Kingdom of England and Southern Wales provides ample excitement, and a glossary at the novel s conclusion hints enticingly at a much more involved story to come.
Publishers Weekly

I was completely caught up in her adventure and her plight. I think steampunk readers and fantasy/sci-fi readers will enjoy this one, so I m recommending it for them even though (and to some extent because) its use of steampunk is a bit different. I found it to be a refreshing change from more formulaic steampunk novels.
Popcorn Reads

A detective story with a difference . . . Chapters begin with quotes from the legendary Bullet-Catcher s Handbook, phrases that introduce not only the idea of illusion that pervades the novel, but also the author s sly humour. [Duncan s misdirection is] subtly and well done, all the way through the book, right to a neat little twist at the end, a play on the title that had me nodding in approval. Each [character] is vividly portrayed, lively enough to feel like the heroes of their own stories, all with distinctive voices; it s always a good sign when you find yourself reading dialogue out loud, rolling your lips and tongue around the words. Rod Duncan s talent has combined