The Cambridge Companion to Debussy
(Sprache: Englisch)
A comprehensive picture of Debussy with insights into his character, environment and music.
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Klappentext zu „The Cambridge Companion to Debussy “
A comprehensive picture of Debussy with insights into his character, environment and music.
Inhaltsverzeichnis zu „The Cambridge Companion to Debussy “
List of contributors; Acknowledgements; Chronology of Debussy's life and works; Note on the text; Introduction Simon Trezise; Part I. Man, Musician and Culture: 1. Debussy the man Robert Orledge; 2. Debussy's Parisian affiliations Barbara L. Kelly; 3. Debussy as musician and critic Deirdre Donnellon; Part II. Musical Explorations: 4. Debussy on stage David Grayson; 5. The prosaic Debussy Roger Nichols; 6. Debussy and expression Nigel Simeone; 7. Exploring the erotic in Debussy's music Julie McQuinn; 8. Debussy and nature Caroline Potter; Part III. Musical Techniques: 9. Debussy's tonality: a formal perspective Boyd Pomeroy; 10. The Debussy sound: colour, texture, gesture Mark DeVoto; 11. Music's inner dance: form, pacing and complexity in Debussy's music Richard S. Parks; 12. Debussy's 'rhythmicised time' Simon Trezise; Part IV. Performance and Assessment: 13. Debussy in performance Charles Timbrell; 14. Debussy now Arnold Whittall; Notes; Select bibliography; Index.
Autoren-Porträt
Simon Trezise is a Lecturer in Music at Trinity College, Dublin. He is the author of Debussy : La mer in the series Cambridge Music Handbooks and has written widely on French music and also on Schoenberg.
Bibliographische Angaben
- 348 Seiten, Maße: 17 x 24,4 cm, Kartoniert (TB), Englisch
- Herausgegeben: Jonathan Cross, Simon Trezise, Trezise Simon
- Verlag: Cambridge University Press
- ISBN-10: 0521654785
- ISBN-13: 9780521654784
- Erscheinungsdatum: 24.01.2007
Sprache:
Englisch
Rezension zu „The Cambridge Companion to Debussy “
'The volume contains some illuminating information on Debussy. The volume also brings forward the rich resource of Debussy's critical writings. ! contains all the material for an alternative approach to Debussy research.' Nineteenth-Century Music Review
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