The Classical Tradition and Schoenberg's PianoConcerto
Monothematic Sonata Form, Long-range Voice-leading, and Chromatic Saturation
(Sprache: Englisch)
This analysis of Op. 42 examines the way that Schoenbergadapts the classical tradition with respect to form, voice-leadingon various structural levels, and how he reinterpretsessentiallytonal formal archetypes in an atonal context. After a briefintroduction...
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This analysis of Op. 42 examines the way that Schoenbergadapts the classical tradition with respect to form, voice-leadingon various structural levels, and how he reinterpretsessentiallytonal formal archetypes in an atonal context. After a briefintroduction and definition of terms, each section of the firstmovement is examined in detail in both its dodecaphonic serial andtraditional manifestations. The majority of the discussion is onthe first movement, but since the four-movement work also yields anoverarching form, there is a cursory examination of globalphenomena as they influence first-movement compositional decisionsand vice-verse. As part of the discussion, I examine severalexamples from the classical tradition as well as excerpts fromSchoenberg's writings on tradition and form. The paper closes withobservations on how the first movement also functions as alarge-scale first theme-group and transition in the context of thewhole Concerto.
Autoren-Porträt von Derek Hurst
Composer Derek Hurst (Somerville, MA) has received awards from the Fromm Foundation, Massachusetts Cultural Council, The Copland House Residency and the Wayne Peterson Prize. Derek earned the Ph.D. in composition/theory from Brandeis University in 2006. Currently he teaches at Berklee College of Music and has also taught at Brown University, Brandeis University and Wheaton College.
Bibliographische Angaben
- Autor: Derek Hurst
- 112 Seiten, Maße: 15 x 22 cm, Kartoniert (TB), Englisch
- Verlag: VDM Verlag Dr. Müller
- ISBN-10: 3639015193
- ISBN-13: 9783639015195
- Erscheinungsdatum: 14.01.2009
Sprache:
Englisch
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