The Fourth Dimension and Non-Euclidean Geometry in Modern Art
(Sprache: Englisch)
In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception¿the curved spaces of non-Euclidean geometry and, most important, a higher,...
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In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception¿the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space¿were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism.
Autoren-Porträt von Linda Dalrymple Henderson
Linda Dalrymple Henderson is David Bruton, Jr., Centennial Professor in Art History and Regents Outstanding Teaching Professor at the University of Texas at Austin. She is the author of Duchamp in Context: Science and Technology in the Large Glass and Related Works and Reimagining Space: The Park Place Gallery Group in 1960s New York and coeditor of From Energy to Information: Representation in Science and Technology, Art, and Literature.
Bibliographische Angaben
- Autor: Linda Dalrymple Henderson
- Altersempfehlung: Ab 22 Jahre
- 729 Seiten, Maße: 18,3 x 23,4 cm, Gebunden, Englisch
- Verlag: MIT PR
- ISBN-10: 0262582449
- ISBN-13: 9780262582445
- Erscheinungsdatum: 15.02.2013
Sprache:
Englisch
Rezension zu „The Fourth Dimension and Non-Euclidean Geometry in Modern Art “
"I think I can say without fear of contradiction that this book is the definitive work on the relationship of non-Euclidean geometry, the fourth dimension, however conceived, and modern art." -- Rob Harle, Leonardo Online
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