The Magus of Freemasonry
(Sprache: Englisch)
A comprehensive look at the life of Elias Ashmole, who represents the historic missing link between operative and symbolic Freemasonry
- Explores the true role of occult and magical studies in the genesis of modern science
- Explains the full meaning...
- Explores the true role of occult and magical studies in the genesis of modern science
- Explains the full meaning...
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Klappentext zu „The Magus of Freemasonry “
A comprehensive look at the life of Elias Ashmole, who represents the historic missing link between operative and symbolic Freemasonry- Explores the true role of occult and magical studies in the genesis of modern science
- Explains the full meaning of the term magus, which Ashmole exemplified
Elias Ashmole (1617-1692) was the first to record a personal account of initiation into Accepted Freemasonry. His writings help solve the debate between operative and "speculative" origins of Accepted Freemasonry, demonstrating that symbolic Freemasonry existed within the Masonic trade bodies. Ashmole was one of the leading intellectual luminaries of his time: a founding member of the Royal Society, a fellowship and later academy of natural philosophers and scientists; alchemist; astrological advisor to the king; and the creator of the world's first public museum. While Isaac Newton regarded him as an inspiration, Ashmole has been ignored by many conventional historians.
Tobias Churton's compelling portrait of Ashmole offers a perfect illustration of the true Renaissance figure--the magus. As opposed to the alienated position of his post-Cartesian successors, the magus occupied a place at the heart of Renaissance spiritual, intellectual, and scientific life. Churton shows Ashmole to be part of the ferment of the birth of modern science, a missing link between operative and symbolic Freemasonry, and a vital transmitter of esoteric thought when the laws of science were first taking hold. He was a man who moved with facility between the powers of earth and the active symbols of heaven.
Lese-Probe zu „The Magus of Freemasonry “
from the INTRODUCTIONEx Uno Omnia
Lichfield has been considered by some to be the true spiritual center of England. And, as freemasons should know, "at the centre of the circle, a master mason cannot err." Right at the center of that circle was Elias Ashmole, the privileged blend that is Renaissance Man, the British Hermetic philosopher par excellence , the self-styled Mercuriophilus Anglicus , and "Mighty Good Man." And if Elias, the "expected one," the harbinger of new arts and revealed knowledge, was indeed at the center, then Elias Ashmole was everything and everywhere. For 20th century English mage Edward Alexander Crowley, Ashmole was a saint of the Gnostic Church.
Ashmole was a magus. He inhabited a world where science and magick were still handmaidens to religion and philosophy. He was one of the last men of learning to enjoy that world before the family broke up. All too soon, science would leave home to plough her own furrow independently and, at times, in contempt of her troubled parents. Nevertheless, Ashmole was a founding member of the Royal Society--a harbinger of that fateful parting--and was himself unconcerned with theological disputes. The philosophy he espoused stood above them; and so did he. . . .
ALCHEMY
Elias Ashmole began calling himself the Mercuriophilus Anglicus (the English Mercury Lover) during the 1650s, after the illegal execution of King Charles I and the beginning of Oliver Cromwell's decade of power. Mercurius was the Latin form of the Greek Hermes. As the divine Mercurius, Hermes, the pater philosophorum (father of philosophy), was crowned as the lord of the ancient art of alchemy.
Alchemy was the subject of Ashmole's first three books. Mercurius is also a staple element of alchemical processes. In simple words, there could be no alchemical transformations without the implicit principle of transformation, mercurius . Hermes was the psychic lord ( psychopomp ) of the Art.
Alchemical mercury is not to be
... mehr
understood as the chemical element alone. According to the alchemist physician Paracelsus, "There are as many mercuries as there are things." Alchemical mercury suffuses all things. It was thought to be the secret or hidden principle that is the creative essence of the cosmic All ( Pan ) in all things. While mercurius is the principle manifest in the strange properties of chemical mercury, the word nonetheless represents a deeper reality: the principle of change itself. . . .
from Chapter 4
THE INTELLIGENCER
Ashmole saw himself as "human mercury," an agent for transformation, moving swiftly twixt earth and heaven, almost invisible: a presence. In the frontispiece to his translation of Fasciculus Chemicus (1650), he hides his face behind his astrological birth chart. The essential Elias was a kind of incarnation of the Hermetic principle; the real man could be found in the stars, albeit with his feet on the ground.
Men such as Ashmole are few in number, and vitally necessary. Like the Englishman of George Santayana's observation, "It will be a black day for the human race when scientific blackguards, churls, and fanatics manage to supplant him." Men of Ashmole's cast stimulate the conditions that enable the genius of an Einstein, Newton, or Mozart to flourish.
He was a master's master, most recognized by the few, not subject to that democratic assessment whose choices lie invariably between mediocre and superficial options. Democracy has always been a means chosen by the sick to control the healthy.
If these gifts of Ashmole's were obvious to discerning scholars in his antiquarian works, they were no less intrinsic to Ashmole's continuous engagement with drawing up astrological "figures" or "schemes" (as he called them) for himself and others. What appeared first as advice to ladies seeking husbands would
from Chapter 4
THE INTELLIGENCER
Ashmole saw himself as "human mercury," an agent for transformation, moving swiftly twixt earth and heaven, almost invisible: a presence. In the frontispiece to his translation of Fasciculus Chemicus (1650), he hides his face behind his astrological birth chart. The essential Elias was a kind of incarnation of the Hermetic principle; the real man could be found in the stars, albeit with his feet on the ground.
Men such as Ashmole are few in number, and vitally necessary. Like the Englishman of George Santayana's observation, "It will be a black day for the human race when scientific blackguards, churls, and fanatics manage to supplant him." Men of Ashmole's cast stimulate the conditions that enable the genius of an Einstein, Newton, or Mozart to flourish.
He was a master's master, most recognized by the few, not subject to that democratic assessment whose choices lie invariably between mediocre and superficial options. Democracy has always been a means chosen by the sick to control the healthy.
If these gifts of Ashmole's were obvious to discerning scholars in his antiquarian works, they were no less intrinsic to Ashmole's continuous engagement with drawing up astrological "figures" or "schemes" (as he called them) for himself and others. What appeared first as advice to ladies seeking husbands would
... weniger
Inhaltsverzeichnis zu „The Magus of Freemasonry “
AcknowledgementsIntroduction: Ex Uno Omnia
The Great Man
The Magus
The Hermetic Magus
Alchemy
Lichfield
C.H. Josten
One: The Coming One
The Ashmoles
Formative Influences
Mother
Two: Lichfield--the Hidden Light of England
St. Chad and the Origins of Lichfield
Gaia
Childhood
Three: London Calling
Four: War
Astrology
The Intelligencer
Ashmole's Persona
Defending Oxford
Dreams and Spires
Women
Worcester
Five: Defeat and Rebirth: Freemasonry
Free Masonry
Secret Signs
Six: Return to London
Women Again
Lady Mainwaring
Seven: The 1650s (I): The Philosopher's Stone
Ex Uno Omnia
Fasciculus Chemicus
One Hieroglyph--New Being
The Theatre of British Chemistry
Ashmole and the Rosicrucians
The Rose Cross Fraternity
A Gathering Reputation
The Way to Bliss
Eight: The 1650s (ii): Study to Be Quiet
Secret Work
A Journey to Staffordshire
Contemplative Men and Antiquarian Recreation
The Tradescant Deed of Gift
Nine: The Windsor Herald
The Royal Society
The Antiquarian
The Masterpiece
Astro-Politics
Ten: Lichfield--the Reconstruction
Restaurator
The Loving Cup
Our Magus
Ashmole's Politics
Bills, Bills, and More Bills
Ashmole and the Mason's Company
The Origins of Freemasonry
Eleven: The Museum
The Tradescant Rarities
The Ashmolean
"Those Fatall Flames"
Twelve: Coming Home
Saving Dee
Sendivogius, Kelley, and Dee
Toward Home
Postscript
Notes
Bibliography
Index
Autoren-Porträt von Tobias Churton
Tobias Churton is Britain's leading scholar of Western Esotericism, a world authority on Gnosticism, Hermeticism, and Rosicrucianism. He is a filmmaker and the founding editor of the magazine Freemasonry Today. An Honorary Fellow of Exeter University, where he is faculty lecturer in Rosicrucianism and Freemasonry, he holds a master's degree in Theology from Brasenose College, Oxford, and created the award-winning documentary series and accompanying book The Gnostics, as well as several other films on Christian doctrine, mysticism, and magical folklore. The author of many books, including Gnostic Philosophy, The Invisible History of the Rosicrucians, and Aleister Crowley: The Beast in Berlin, he lives in England.
Bibliographische Angaben
- Autor: Tobias Churton
- 2006, 320 Seiten, Maße: 22,86 cm, Kartoniert (TB), Englisch
- Verlag: Inner Traditions International
- ISBN-10: 1594771227
- ISBN-13: 9781594771224
Sprache:
Englisch
Pressezitat
"Reads like an adventure novel. Ashmole was one of the leading intellectual and spiritual lights of the time, an accomplished alchemist, and close friend to some of the most brilliant men in England. Churton has given us a compelling picture of Ashmole's life, the city in which he lived, and the guild structure of the time." Scottish Rite Journal of Freemasonry, Southern Jurisdiction, USA
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