The Oxford Handbook of European Romanticism
(Sprache: Englisch)
The Oxford Handbook of European Romanticism provides a comprehensive guide to beginning or continuing study of European Romanticism.
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The Oxford Handbook of European Romanticism provides a comprehensive guide to beginning or continuing study of European Romanticism.
Klappentext zu „The Oxford Handbook of European Romanticism “
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
Inhaltsverzeichnis zu „The Oxford Handbook of European Romanticism “
- Introduction
- 1: Caroline Warman: Pre-Romantic French Thought
- 2: Biancamaria Fontana: Literary History and Political Theory in Germaine de Staël's idea of Europe
- 3: Jean-Marie Roulin: François-René de Chateaubriand: Migrations and Revolution
- 4: Francesco Manzini: Stendhal
- 5: Bradley Stephens: The Novel and the (Il)Legibility of History: Victor Hugo, Honoré de Balzac, and Alexandre Dumas
- 6: Sotirios Paraschas: Romantic Drama: The Mask of Genius
- 7: Katherine Lunn-Rockliffe: French Romantic Poetry
- 8: Francesco Manzini: Frenetic Romanticism
- 9: Alexander Regier: Johann Georg Hamann: Metacritique and Poesis in Counter-Enlightenment
- 10: Andrew Bowie: Freedom, Reason, and Art in Idealist and Romantic Philosophy
- 11: William Arctander O'Brien: Friedrich von Hardenberg (pseudonym: Novalis)
- 12: Maike Oergel: Jena 1789-1819: Ideas, Poetry, and Politics
- 13: Astrid Weigert: Gender and Genre in the Works of German Romantic Women Writers
- 14: Tim Mehigan: The Scepticism of Heinrich von Kleist
- 15: Rüdiger Görner: Friedrich Hölderlin's Romantic Classicism
- 16: Angus Nicholls: Goethe the Writer
- 17: Stefan Uhlig: Goethe's Figurative Method
- 18: Dennis Mahoney: Heidelberg, Dresden, Berlin, Vienna
- 19: Richard Aczel: Hungarian Romanticism: Re-Imagining (Literary) History
- 20: Joseph Luzzi: The Task of Italian Romanticism: Literary Form and Polemical Response
- 21: Michael Caesar: Voice, speaking, silence in Leopardi's verse
- 22: Franco D'Intino: Leopardi as a writer of prose
- 23: Giuseppe Gazzola: 'European Man and Writer': Romanticism, the Classics, and Political Action in the Exemplary Life of Ugo Foscolo.
- 24: Jonathan White: Manzoni's Persistence
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25: Derek Flitter: Personal Demons and the Spectre of Tradition in Spanish Romantic Drama
26: Andrew Kahn: Russian Literature Between Classicism and Romanticism: Poetry, Feeling, Subjectivity
27: Luba Golburt: Alexander Pushkin as a Romantic
28: Katya Hokanson: The Geography of Russian Romantic Prose: Bestuzhev, Lermontov, Gogol and Early Dostoevsky
29: Monika Coghen: Polish Romanticism
30: Klaus Müller-Wille: Scandinavian Romanticism
31: Rodney Beaton: The Romantic construction of Greece
32: Roberto Dainotto: Geographies of Historical Discourse
33: Paul Stock: Histories of Geography
34: Douglas Moggach: Romantic Political Thought
35: Benjamin Dawson: Science and the Scientific Disciplines
36: Leon Chai: Life and Death in Paris: Medical and Life Sciences in the Romantic Era
37: Thomas Pfau: Religion
38: Diego Saglia: Theatre, Drama and Vision in the Romantic Age: Stages of the New
39: Angela Esterhammer: Identity Crises: Celebrity, Anonymity, Doubles, and Frauds in European Romanticism
40: Jan Fellerer: Theories of Language
41: Patrick Vincent: Europe's Discourse of Britain <
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Autoren-Porträt
Paul Hamilton read English and Philosophy at Glasgow University. He took a D.Phil. at Oxford University, where he was a Junior Research Fellow, and then College Lecturer at Balliol College. Following posts at the University of Nottingham, Exeter College, Oxford, and the University of Southampton, he became Professor of English at Queen Mary University of London in 1996. Hamilton is the author of Metaromanticism (University of Chicago Press, 2003), Coleridge and German Philosophy (Bloomsbury, 2007), and Realpoetik: European Romanticism and Literary Politics (OUP,2013).Bibliographische Angaben
- 2016, 858 Seiten, Maße: 17,9 x 25,3 cm, Gebunden, Englisch
- Herausgegeben: Paul Hamilton
- Verlag: Oxford University Press
- ISBN-10: 0199696381
- ISBN-13: 9780199696383
- Erscheinungsdatum: 06.02.2016
Sprache:
Englisch
Pressezitat
The Oxford Handbook of European Romanticism is a splendid volume that fills a need. ... This rigorous survey of the broad European movement of Romanticism is thus a welcome reference counterpoint to what currently exists for students and researchers. Hamilton made the deft editorial decision to divide the handbook into two sections: "Language" and "Discourses". Considering the topic by language does justice to the critical and creative communities that saw themselves as such while avoiding the anachronistic awkwardness of referring to nations or states that did not or no longer exist. This division also allows the volume to strike a nice balance between topics one would expect and topics that are refreshingly innovative ("Discourses"). ... Summing Up: Recommended. Upper-division undergraduates through faculty; general readers. S. Barnett, CHOICE
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