The Paris Diversion
A Novel
(Sprache: Englisch)
The most clever plot twist of the year. Washington Post
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The most clever plot twist of the year. Washington PostI nominate Kate Moore, the protagonist of Chris Pavone s sizzling new thriller The Paris Diversion, for patron saint of working wives and mothers everywhere. Marilyn Stasio, The New York Times Book Review
The Paris Diversion is the best espionage novel I ve read this year. Smart, sophisticated and suspenseful, this is Pavone s finest novel to date and that s saying something. Harlan Coben, no. 1 New York Times bestselling author of Fool Me Once
Deliciously twisty . . . This involving work has been skillfully engineered for maximum reader enjoyment. The Wall Street Journal
From the New York Times bestselling author of The Expats. Kate Moore is back in a pulse-pounding thriller to discover that a massive terror attack across Paris is not what it seems and that it involves her family
American expat Kate Moore drops her kids at the international school, makes her rounds of chores, and meets her husband Dexter at their regular café: a leisurely start to a normal day, St-Germain-des-Prés.
Across the Seine, tech CEO Hunter Forsyth stands on his balcony, wondering why his police escort just departed, and frustrated that his cell service has cut out; Hunter has important calls to make, not all of them technically legal.
And on the nearby rue de Rivoli, Mahmoud Khalid climbs out of an electrician s van and elbows his way into the crowded courtyard of the world s largest museum. He sets down his metal briefcase, and removes his windbreaker.
That s when people start to scream.
Everyone has big plans for the day. Dexter is going to make a small fortune, finally digging himself out of a deep financial hole, via an extremely risky investment. Hunter is going to make a huge fortune, with a major corporate acquisition that will send his company s stock soaring. Kate has less ambitious plans: preparations for tonight
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s dinner party one of those homemaker obligations she still hasn t embraced, even after a half-decade of this life and an uneventful workday at the Paris Substation, the clandestine cadre of operatives that she s been running, not entirely successfully, increasingly convinced that every day could be the last of her career. But every day is also a fresh chance to prove her own relevance, never more so than during today s momentous events.
And Mahmoud? He is planning to die today. And he won t be the only one.
And Mahmoud? He is planning to die today. And he won t be the only one.
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Lese-Probe zu „The Paris Diversion “
1.Paris. 8:44 a.m.
A siren wails, far away.
Kate Moore is lingering in front of school, her daily dose of sidewalk-swimming in a sea of expat moms, gossip and chitchat and a dizzying ping-pong of cheek kisses, usually planted on both sides of the face but sometimes three pecks, or for some lunatics four separate kisses.
It s an international school. All the parents are transplants from dozens of different countries, with different ideas about what constitutes the proper sequence. It s an etiquette minefield, is what it is. And etiquette has never been Kate s forte.
She cocks her head, trying to discern if the siren is approaching or receding, an instinctual habit a professional obligation of assessing potential levels of danger. Here in Paris, at this hour, sirens are unusual. This city is less noisy than other global capitals, London or New York, Mumbai or Hong Kong. And much less than where Kate lived before here: Luxembourg, perhaps the least noisy capital in the world; and Washington, which doesn t even make the cut of the twenty most populous US cities.
But Kate has traveled plenty. For her job, dispatching her to far-flung destinations in Latin America and Europe. And for the past few years for adventure, driving around the Continent in their aging station wagon, with their EU driver s licenses and bilingual kids.
Other metropoli have all seemed like more aggressive aural assaults than Paris, with more insistent car horns honked more frequently, more idling trucks and unmufflered motorcycles, jackhammers and pile drivers and bass-heavy music blaring from souped-up sound systems, fire trucks and ambulances and police cars in hot pursuit, the unmistakable urban sounds of urgency, emergency.
It s in the mornings when Paris feels especially hushed, and in particular this slice of the septième, sleepy cafés on the quiet corners of narrow streets, well-dressed women depositing well-groomed kids at the towering
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green door of the school s fortress-like façade, forbidding stone walls from which no sounds can escape, nor for that matter children.
The siren grows louder, nearer.
A curbside fence prevents the kids from running into the street, getting hit by cars. Every school s sidewalk is lined with these fences, festooned with locked-up bicycles and kick-scooters decorated with decals of football clubs, pop singers, flower petals. The kids are absolutely safe in there.
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After the Charlie Hebdo massacre, sirens began to take on a new significance, triggering more vital concerns. Then the November attacks ratcheted up the tension further, and then again the Champs-Elysées shooting, these events produced a permanent propensity to generalized panic.
Sirens no longer suggest a multicar pile-up on the périphérique or a gangland shoot-out in St-Denis somebody else s problem, somewhere else. These days, sirens could mean a nightclub shooting, hostages in a grocery store, a madman in a museum. Sirens could mean that Kate should storm into school, drag out her children, initiate one of her emergency protocols, go-bags from the linen closet, the always-gassed-up car in the garage, speeding out of the city toward the secret farmhouse in the Ardennes, or the airbase in the Ruhr, or somewhere else, anywhere else.
These days, sirens could mean anything.
It s what everyone is talking about, the shopkeepers, restaurateurs, hoteliers. Tourism is down. Locals are wary. Customers scarce. Soldiers and police patrol the streets in threes and fours, heavily armed, flak-jacket clad. Not only near the ministries and embassies, the busy commercial boulevards and the famous monuments, but everywhere, soldiers are loitering even here, on sedate resid
The siren grows louder, nearer.
A curbside fence prevents the kids from running into the street, getting hit by cars. Every school s sidewalk is lined with these fences, festooned with locked-up bicycles and kick-scooters decorated with decals of football clubs, pop singers, flower petals. The kids are absolutely safe in there.
***
After the Charlie Hebdo massacre, sirens began to take on a new significance, triggering more vital concerns. Then the November attacks ratcheted up the tension further, and then again the Champs-Elysées shooting, these events produced a permanent propensity to generalized panic.
Sirens no longer suggest a multicar pile-up on the périphérique or a gangland shoot-out in St-Denis somebody else s problem, somewhere else. These days, sirens could mean a nightclub shooting, hostages in a grocery store, a madman in a museum. Sirens could mean that Kate should storm into school, drag out her children, initiate one of her emergency protocols, go-bags from the linen closet, the always-gassed-up car in the garage, speeding out of the city toward the secret farmhouse in the Ardennes, or the airbase in the Ruhr, or somewhere else, anywhere else.
These days, sirens could mean anything.
It s what everyone is talking about, the shopkeepers, restaurateurs, hoteliers. Tourism is down. Locals are wary. Customers scarce. Soldiers and police patrol the streets in threes and fours, heavily armed, flak-jacket clad. Not only near the ministries and embassies, the busy commercial boulevards and the famous monuments, but everywhere, soldiers are loitering even here, on sedate resid
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Autoren-Porträt von Chris Pavone
Chris Pavone is the New York Times bestselling author of The Expats, winner of the Edgar and Anthony awards for best first novel, The Accident, The Travelers, and most recently The Paris Diversion. He was a book editor for nearly two decades, and lives in New York City with his family.
Bibliographische Angaben
- Autor: Chris Pavone
- 2019, Internationale Ausgabe, 384 Seiten, Maße: 15,4 x 23,6 cm, Kartoniert (TB), Englisch
- Verlag: Crown
- ISBN-10: 1984824937
- ISBN-13: 9781984824936
- Erscheinungsdatum: 07.05.2019
Sprache:
Englisch
Pressezitat
Chris Pavone's The Paris Diversion is the best espionage novel I've read this year. Smart, sophisticated and suspenseful, this is Pavone's finest novel to date and that's saying something. Harlan Coben, #1 New York Times bestselling author of Fool Me OnceI nominate Kate Moore, the protagonist of Chris Pavone s sizzling new thriller The Paris Diversion, for patron saint of working wives and mothers everywhere. Marilyn Stasio, The New York Times Book Review
I tore through The Paris Diversion, completely caught up in the thrilling story of one remarkable day in Paris. With its twisting, high-stakes plot, all-too-human characters, and unrelenting tension, I couldn t read it fast enough! I absolutely loved it highly recommended! Shari Lapena, New York Times bestselling author of The Couple Next Door
A fast-paced and heartfelt thriller set in the world of espionage and terrorism that echoes the best of John le Carré. Associated Press
Pavone s timely new thriller spins through 12 hours and multiple voices to a startling conclusion. BBC Culture
Thriller writing at its absolute best. With echoes of Graham Greene and John le Carré, Pavone s novel accomplishes that rare feat of being both a nonstop adventure ride and a smart, stylish and compelling meditation on family, courage, responsibilities, and the relationships we create, for good and bad, throughout our lives. The Paris Diversion does far more than divert; it grips us from the very beginning and doesn t let go. Jeffery Deaver, New York Times bestselling author of The Cutting Edge
[A] fast-paced thriller . . . shelve alongside le Carré, Forsyth, and other masters of foreign intrigue. Kirkus Reviews
As full of fast-paced twists and turns as a great car chase, you will race through Chris Pavone s new book. This is a thrilling story of international
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intrigue set in my favorite city in the word Paris. I loved it!! Ina Garten, Barefoot Contessa, New York Times bestselling author and TV Host
Sleek, cunning and breakneck, Chris Pavone s The Paris Diversion sweeps you into its frenetic rhythms from its first pages. With a sprawling cast of characters, with its scissoring plot twists, and especially with Kate as rich and complicated a hero as you could hope for it keeps you returning for more and more. A knockout. Megan Abbott, author of Give Me Your Hand and You Will Know Me
Chris Pavone is a master craftsman. A natural storyteller. Whether we re being driven around Paris in a car trunk or walking through the Luxembourg Gardens, his descriptions leap off the page. The Paris Diversion is a terrific read. Jason Matthews, New York Times bestselling author of the Red Sparrow trilogy
An ingenious, engrossing sequel to an ingenious, engrossing original. If only all follow-ups were this good. John Connolly, New York Times bestselling author of the Charlie Parker thriller series
Sleek, cunning and breakneck, Chris Pavone s The Paris Diversion sweeps you into its frenetic rhythms from its first pages. With a sprawling cast of characters, with its scissoring plot twists, and especially with Kate as rich and complicated a hero as you could hope for it keeps you returning for more and more. A knockout. Megan Abbott, author of Give Me Your Hand and You Will Know Me
Chris Pavone is a master craftsman. A natural storyteller. Whether we re being driven around Paris in a car trunk or walking through the Luxembourg Gardens, his descriptions leap off the page. The Paris Diversion is a terrific read. Jason Matthews, New York Times bestselling author of the Red Sparrow trilogy
An ingenious, engrossing sequel to an ingenious, engrossing original. If only all follow-ups were this good. John Connolly, New York Times bestselling author of the Charlie Parker thriller series
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