The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film
(Sprache: Englisch)
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Inhaltsverzeichnis zu „The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film “
From Film Theory to Post-Theory Sublime Objects of Cinema Class Struggle in Film Studies Interlude: The Pervert and the Analyst Cinema, Ideology, and Form Enjoyment in the Cinema Conclusion: Theory as Realism Set in Drive
Autoren-Porträt von M. Flisfeder
Matthew Flisfeder is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of Postmodern Theory and Blade Runner (2017), and co-editor (with Louis-Paul Willis) of Zizek and Media Studies: A Reader (2014).
Bibliographische Angaben
- Autor: M. Flisfeder
- 2012, 2012., 195 Seiten, Maße: 21,6 cm, Gebunden, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 0230341470
- ISBN-13: 9780230341470
Sprache:
Englisch
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