The Visual and the Verbal in Film, Drama, Literature and Biography

Contents: Miroslawa Buchholtz: Introduction - Andrzej Weselinski: Film Adaptations: Theories, and New/Old Dilemmas - Jacek Fabiszak: Polalski and Nazar: The Correspondences between Their Screen Versions of Shakespeare's Macbeth - Agnieszka Rasmus: Same but Different: Comparing Transgression in Sleuth - Edyta Lorek-Jezinska: Re-Writing Ophelia: Iconography of Madness and Death in Bryony Lavery's and Deborah Levy's Plays - Grzegorz Koneczniak: Acts of Verbal and Visual Iconoclasm in Postcolonial Drama: Explorations of Helen Gilbert's Postcolonial Plays: An Anthology - Grzegorz Koneczniak: From Orality to Visuality: Enactments of Neo-Colonialism in The Hungry Earth by Maishe Maponya and Ubu and the Truth Commission by Jane Taylor - Waclaw Grzybowski: Juxtaposition, Being and Primary Analogate: An Introduction to the Metaphysical Concept of Metaphor on the basis of Old Irish Poetry - Dominika Buchowska: Verbal and Visual Correspondences in Wyndham Lewis's The Tyro - Miroslawa Buchholtz: Real, Surreal, Hyperreal: Photography and the Novel according to Henry James, André Breton, and W.G. Sebald - Rod Mengham: Stefan Themerson as a Polish Artist and an English Writer - Jaroslaw Hetman: Auster, Calle and the Conceptual Origins of Ekphrasis - Miroslawa Buchholtz: The Role of Visual Portraits in Biographical Studies: Imag(in)ing Henry James.

Miroslawa Buchholtz, Professor of English and Director of the English Department, Nicolaus Copernicus University in Torun (Poland); author and editor of numerous publications on Henry James, postcolonial studies, American and Canadian literature.
Grzegorz Koneczniak, Assistant Professor at the English Department, Nicolaus Copernicus University in Torun (Poland); author of a book on women on stage and the decolonisation of Ireland and of articles on postcolonial theatre and drama.