Understanding Film Theory
(Sprache: Englisch)
A modern, student-friendly approach to film theory that incorporates both classic and contemporary films from across a wide range of international cinemas.
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A modern, student-friendly approach to film theory that incorporates both classic and contemporary films from across a wide range of international cinemas.
Inhaltsverzeichnis zu „Understanding Film Theory “
AcknowledgmentsIntroductionChapter 1: AuteurCase studies: Alfred Hitchcock and Guillermo del ToroChapter 2: GenreCase studies: The Swashbuckler and the MusicalChapter 3: FormalismCase study: Run Lola Run/ Lola Rennt (Tom Tykwer, 1998)Chapter 4: Structuralism and Post-structuralismCase study: Once Upon a Time in the West (Sergio Leone, 1968)Chapter 5: MarxismCase study: Latin America: Third Cinema and Imperfect CinemaChapter 6: RealismCase study: Dogme 95Chapter: 7 PostmodernismCase study: Moulin Rouge! (Baz Luhrmann, 2001)Chapter 8: PsychoanalysisCase study: Oldboy (Chan-Wook Park, 2003)Chapter 9: FeminismCase study: Mamma Mia! (Phyllida Lloyd, 2008)Chapter 10: MasculinityCase study: Christian BaleChapter 11: Queer TheoryCase study: Brokeback Mountain (Ang Lee, 2005)Chapter 12: Audience Research and ReceptionCase study: ViolenceChapter 13: StarsCase studies: Amitabh Bachchan and Judi DenchChapter 14: Race and EthnicityCase study: Rabbit-Proof Fence (Philip Noyce, 2002)Chapter 15: Postcolonial and Transnational CinemasCase study: Avatar (James Cameron, 2009)ConclusionFilmographyIndex
Autoren-Porträt von Christine Etherington-Wright, Ruth Doughty
Christine Etherington-Wright and Ruth Doughty
Bibliographische Angaben
- Autoren: Christine Etherington-Wright , Ruth Doughty
- 2011, 304 Seiten, Maße: 18,8 x 24,1 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave
- ISBN-10: 0230217117
- ISBN-13: 9780230217119
Sprache:
Englisch
Rezension zu „Understanding Film Theory “
'This book addresses a very real gap in existing introductory texts that define, explore, and apply key theoretical concepts within the field of film studies.'- Alison L. McKee, Assistant Professor, Department of Television-Radio-Film-Theatre, San Jose State University, USA'This is the book that film students have long been waiting for: a clear, well-written and accessible introduction to film theory. Lucid theoretical exposition and case study film analysis offer readers the most intelligible summary of theory that I have yet encountered.'- Paul Sutton, Head of Media, Culture and Language, Roehampton University, UK 'I wish I'd had this book as an undergraduate!' - Lauren Ford, Film graduate, University of Southampton, UK
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