British Musical Theatre since 1950 (PDF)
(Sprache: Englisch)
This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British - as opposed to American - popular culture. The genre is situated within the historical context of...
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This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British - as opposed to American - popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented.
Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
Autoren-Porträt von Robert Gordon, Olaf Jubin, Millie Taylor
Robert Gordon is Professor of Theatre and Director of the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London, where in 2003 he introduced the first British MA in Musical Theatre for producers and writers and a new BA in Musical Theatre in 2018. He is author of The Purpose of Playing: Modern Acting Theory in Perspective (2006), Harold Pinter's Theatre of Power (2012) and, with Olaf Jubin and Millie Taylor, British Musical Theatre Since 1950 (2016). Edited collections include The Oxford Handbook of Sondheim Studies (2014) and, with Olaf Jubin, The Oxford Handbook of the British Musical (2016). He has acted and directed in South Africa, the UK, Ireland, the USA, Italy, Russia and the Czech Republic. In 2013, he directed the European première of Kander and Ebb's Steel Pier in Brno, while his musical version of Five Childrenand It with composer Nick Hutson, received a professional workshop in 2015. He is currently engaged as a writer and actor of Shylock Speaks, which premiered in February 2020.
Bibliographische Angaben
- Autoren: Robert Gordon , Olaf Jubin , Millie Taylor
- 2016, 1. Auflage, 288 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1472584392
- ISBN-13: 9781472584397
- Erscheinungsdatum: 08.09.2016
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- Größe: 3.01 MB
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