Marching to Zion (PDF)
A Novel
(Sprache: Englisch)
A family of Eastern European refugees finds a home in racially charged St. Louis in this sweeping historical novel from a National Jewish Book Award finalist.
In 1916, Mags Preacher arrives in the big city of St. Louis, fresh from the piney...
In 1916, Mags Preacher arrives in the big city of St. Louis, fresh from the piney...
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A family of Eastern European refugees finds a home in racially charged St. Louis in this sweeping historical novel from a National Jewish Book Award finalist.
In 1916, Mags Preacher arrives in the big city of St. Louis, fresh from the piney woods, hoping to learn the beauty trade. Instead, she winds up with a job at Fishbein’s Funeral Home, run by an émigré who came to America to flee the pogroms of Russia. Mags knows nothing about Jews except that they killed the Lord Jesus Christ, but by the time her boss saves her life during the race riots in East St. Louis, all her perceptions have changed.
Marching to Zion is the story of Mags and of Mr. Fishbein, but it’s also the story of Fishbein’s daughter, Minerva, a beautiful redhead with an air of danger about her, and Magnus Bailey, Fishbein’s charismatic business partner and Mags’s first friend in town. When Magnus falls for Minerva’s willful spirit, he’ll learn just how dangerous she can be for a black man in America.
Readers of Mary Glickman’s One More River will celebrate the return of Aurora Mae Stanton, who joins a cast of vibrant new characters in a tale that stretches from East St. Louis, Missouri, to Memphis, Tennessee, from World War I to the Great Depression. Hailed as “a powerful reminder of the discrimination and unspeakable hardships African Americans suffered,” Marching to Zion is a gripping love story, a fascinating angle on history, and a compelling meditation on justice and fate (Jewish Book Council).
In 1916, Mags Preacher arrives in the big city of St. Louis, fresh from the piney woods, hoping to learn the beauty trade. Instead, she winds up with a job at Fishbein’s Funeral Home, run by an émigré who came to America to flee the pogroms of Russia. Mags knows nothing about Jews except that they killed the Lord Jesus Christ, but by the time her boss saves her life during the race riots in East St. Louis, all her perceptions have changed.
Marching to Zion is the story of Mags and of Mr. Fishbein, but it’s also the story of Fishbein’s daughter, Minerva, a beautiful redhead with an air of danger about her, and Magnus Bailey, Fishbein’s charismatic business partner and Mags’s first friend in town. When Magnus falls for Minerva’s willful spirit, he’ll learn just how dangerous she can be for a black man in America.
Readers of Mary Glickman’s One More River will celebrate the return of Aurora Mae Stanton, who joins a cast of vibrant new characters in a tale that stretches from East St. Louis, Missouri, to Memphis, Tennessee, from World War I to the Great Depression. Hailed as “a powerful reminder of the discrimination and unspeakable hardships African Americans suffered,” Marching to Zion is a gripping love story, a fascinating angle on history, and a compelling meditation on justice and fate (Jewish Book Council).
Autoren-Porträt von Mary Glickman
<p></p><DIV><DIV>Born on the south shore of Boston, Mary Glickman studied at the Université de Lyon and Boston University. While she was raised in a strict Irish-Polish Catholic family, from an early age Glickman felt an affinity toward Judaism and converted to the faith when she married. After living in Boston for twenty years, she and her husband traveled to South Carolina and discovered a love for all things Southern. Glickman now lives in Seabrook Island, South Carolina, with her husband, cat, and until recently, her beloved horse, King of Harts, of blessed memory. <i>Marching to Zion </i>is her third novel. Her first novel, <i>Home in the Morning</i>, has been optioned for film by Jim Kohlberg, director of <i>The Music Never Stopped</i> (Sundance 2011), and her second, <i>One More River</i>, was a 2011 National Jewish Book Award Finalist in Fiction.</div></div><p></p>
Bibliographische Angaben
- Autor: Mary Glickman
- 2013, 262 Seiten, Englisch
- Verlag: Open Road Media
- ISBN-10: 1480435619
- ISBN-13: 9781480435612
- Erscheinungsdatum: 12.11.2013
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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Pressezitat
“This moving novel . . . handled with credibility by the talented Glickman . . . is sustained by the rich period detail and by strong and fully realized characters.” —Booklist“Coincidence or not, the publication of Marching to Zion on the occasion of the fiftieth anniversary of The March on Washington is a powerful reminder of the discrimination and unspeakable hardships African Americans suffered. . . . Marching to Zion is a memorable story, with a very clear message that the journey is not over.” —Jewish Book Council
“Readers who are interested in Southern historical novels examining black-white relationships and those who enjoy good storytelling are the natural audience here.” —Library Journal
“Religion isn’t the only thing that stirs Glickman to fervor: she writes in a high-drama, no-holds-barred style when it comes to romance. . . . [An] entertaining novel about sins of the flesh and the redemptive power of belief.” —Publishers Weekly
“Glickman skillfully conveys the struggles of African-Americans and Jews during this era.” —Kirkus Reviews
“A powerful tale of love, hatred, violence, hope, and regeneration. At its center, lives entwined, are a black man and a Jewish refugee, each as staunch and tenacious as the Zion they both seek.” —Sonia Taitz, author of The Watchmaker’s Daughter
“A literary triumph, and easily the best novel I have read this year. Mary Glickman’s story of hope burns brightly through the darkness, driven by characters fighting to maintain dignity above all else.” —Sandi Krawchenko Altner, author of Ravenscraig
“Mary Glickman gives us a nuanced image of our twentieth-century selves, our society woven into stunning art. I see the Mississippi floods, the Jewish and African American dance of interconnection, and ultimately our
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paired journey toward Zion.” —Carolivia Herron, author of Thereafter Johnnie and Nappy Hair
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