National Paradigms of Migration Research / Schriften des Instituts für Migrationsforschung und Interkulturelle Studien (IMIS) (PDF)
(Sprache: Englisch)
The varying traditions in the migration research of different countries are closely connected to the respective national political landscape and the way in which the respective national state views itself - affirmative and positive or perhaps more...
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The varying traditions in the migration research of different countries are closely connected to the respective national political landscape and the way in which the respective national state views itself - affirmative and positive or perhaps more self-critical. Seen side by side, much emerges to be discussed and challenged that was previously beyond doubt. The present volume introduces the reader to the traditions of migration research in twelve different countries: the more traditional immigration countries of Canada and Australia, four European countries with decades of experience (United Kingdom, Germany, Austria, Netherlands), countries newer to immigration such as Italy, Poland and Japan, and finally the postcolonial countries of India, Malaysia and Nigeria. Through this comparative approach this volume presents a new approach to understanding the different research traditions. The reader is confronted with the various ways in which emigrants are included or excluded from society, thereby gaining an understanding of the existing intellectual discourses as well as learning to qualify them in the light of other solutions and traditions. Because the approaches of the respective migration research tradition are not always the same, the volume is attractive for a number of professionals: Sociologists, political scientists, ethnologists, economists, and philosophers can join together to discuss the terms migration, integration, and their relationship to social structures. This in turn challenges premises that previously were held to be a matter of course.
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"How to Face Reality. Genres of Discourse within Durch Minorities Research (p. 81-82)By Baukje Prins
Abstract
This chapter gives an overview of developments within Dutch minorities studies from the 1980s onward. Starting from a constructivist view of the performativity of language and the situatedness of all knowledge claims, four genres of discourse are discussed, each using its own rhetorical strategies to make readers ›face reality‹, and each appealing to one particular ethical-political value. The genre of denunciation calls for solidarity, the genre of empowerment promotes the value of diversity, while the report is dedicated to the emancipation of minority groups. In the 1990s, due to emerging critical voices in the public debate and the backlash against (Muslim) immigrants since the ›September 11‹ attacks on the US and the murder of Pim Fortuyn in 2002, these three genres gradually lost credibility because of their presumed ›political correctness‹. This led to the dominance of a fourth genre of discourse, that of new realism, which appeals to the value of individual responsibility. Although the four genres seem to be incompatible, this appears to be the case neither in theory nor in practice. Across what look like unsurpassable boundaries, the Dutch discourse has also produced unexpected alliances between these different genres. The chapter concludes with some selfreflexive remarks on the values and political perspective underlying this analysis itself, ending with a plea for exploring an alternative genre, that of heterogeneity, as most suitable to the ethical-political value of a liberal democracy: a responsiveness to otherness and a commitment to justice and fairness for all.
Introduction
Since the early 1980s, the Netherlands have pursued an active policy to further the integration of ethnic minority groups in Dutch society.
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Subsequent governments put scientific experts to work to investigate the history, socio-economic position and cultural background of different minority groups – investments which testified to a strong belief in social engineering and the ›makeability‹ of Dutch society. In this paper, I will discern four significant genres of discourse within Dutch minorities studies that use different rhetorical strategies to make their readers ›face reality‹.1 Among these are the genre of denunciation and the genre of empowerment.
But the dominant genre within Dutch minorities research has been the genre of the report. Until the early 1990s, most reports represented migrants as members of a particular minority group, i.e. as individuals who are socially and/or economically deprived because of their traditional culture. Emancipation was assumed to be the only way out, and Dutch government could help minorities achieve that aim. A decade ago, however, a new kind of report has come to the fore, in which cultures of minority groups are not so much perceived from the perspective of deprivation, but from the perspective of deviancy.
I will argue that this trend in Dutch minorities research shows a remarkable affinity with a fourth genre of discourse, that of new realism. Since the 1980s, against the assumed ›political correctness‹ of the genres of denunciation, empowerment and report, new realism has become ever more dominant in Dutch public and political debates on immigration and ethnic minorities."
But the dominant genre within Dutch minorities research has been the genre of the report. Until the early 1990s, most reports represented migrants as members of a particular minority group, i.e. as individuals who are socially and/or economically deprived because of their traditional culture. Emancipation was assumed to be the only way out, and Dutch government could help minorities achieve that aim. A decade ago, however, a new kind of report has come to the fore, in which cultures of minority groups are not so much perceived from the perspective of deprivation, but from the perspective of deviancy.
I will argue that this trend in Dutch minorities research shows a remarkable affinity with a fourth genre of discourse, that of new realism. Since the 1980s, against the assumed ›political correctness‹ of the genres of denunciation, empowerment and report, new realism has become ever more dominant in Dutch public and political debates on immigration and ethnic minorities."
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Autoren-Porträt von Dietrich Thränhardt, Michael Bommes
Prof. Dr. Dietrich Thränhardt lehrte an der Universität Münster Politikwissenschaft. 2008/09 war er Fellow an der Transatlantic Academy, Washington, mit dem Arbeitsgebiet Vergleichende Politik- und Migrationsforschung.Since 2008/09, Dr. Dietrich Thränhardt, Professor emeritus for Political Science at the University of Münster, Germany, is Senior Fellow at the Transatlantic Academy in Washington D.C.
Bibliographische Angaben
- Autoren: Dietrich Thränhardt , Michael Bommes
- 2010, 1. Auflage, 325 Seiten, Englisch
- Herausgegeben: Dietrich Thränhardt, Michael Bommes
- Verlag: V&R unipress
- ISBN-10: 3862340937
- ISBN-13: 9783862340934
- Erscheinungsdatum: 17.03.2010
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