Shakespeare's Anti-Politics / Palgrave Shakespeare Studies (PDF)
Sovereign Power and the Life of the Flesh
(Sprache: Englisch)
Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the...
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Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the nation-state. It is these new experiences that the book terms 'the life of the flesh'.
Autoren-Porträt von D. Gil
Daniel Juan Gil is the author of Before Intimacy: Asocial Sexuality in Early Modern England. He has written widely on cultural sociology, sexuality, religion, and the body, and his articles have appeared in prominent journals including ELH, Shakespeare Quarterly, Borrowers and Lenders and Common Knowledge.
Bibliographische Angaben
- Autor: D. Gil
- 2013, 2013, 167 Seiten, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137275014
- ISBN-13: 9781137275011
- Erscheinungsdatum: 15.08.2013
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 0.83 MB
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Sprache:
Englisch
Pressezitat
"Gil argues that Shakespeare supports neither monarchical nor civic republican values, as both depend on the sovereign power of the state to control the bodies of subjects. . . Gil's introduction is especially insightful in relating his theory to the present. Summing up: Recommended." CHOICE"The strength of the book lies in the clarity of Gil's basic thesis and the consistency with which it is applied." Julia Reinhard Lupton, Renaissance Quarterly
"...ambitious, incisive, and sophisticated. It is excellent... Shakespeare's Anti-Politics will be of tremendous interest to a range of scholars interested in Shakespeare's relationship to politics, the body, and performance." James Kuzner, Shakespeare Quarterly
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