Stieg Larsson's Millennium Trilogy (PDF)
Interdisciplinary Approaches to Nordic Noir on Page and Screen
(Sprache: Englisch)
Uniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.
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Uniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.
Autoren-Porträt
SARAH CASEY BENYAHIA Head of Film at Colchester Sixth Form College, UKBARRY FORSHAW Editor of Crime Time, a talking head for ITV and BBC TV documentaries, and has been Vice Chair of the Crime Writers' Association
JANET MCCABE Honorary Research Fellow at Birkbeck College, University of London, UK
SARAH MOORE Lecturer in the Centre for Criminology and Sociology at Royal Holloway, University of London, UK
SARAH NIBLOCK Head of Journalism and a Reader in Journalism at Brunel University, London, UK
HEATHER O' DONOGHUE Reader in Old Norse, Linacre College, University of Oxford, UK
Bibliographische Angaben
- 2012, 2013, 172 Seiten, Englisch
- Herausgegeben: S. Peacock
- Verlag: Springer-Verlag GmbH
- ISBN-10: 0230390447
- ISBN-13: 9780230390447
- Erscheinungsdatum: 13.11.2012
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 1.17 MB
- Ohne Kopierschutz
- Vorlesefunktion
Sprache:
Englisch
Pressezitat
'This original volume not only offers highly engaging analysis of Swedish author Stieg Larsson's hugely popular Millennium trilogy, but also of the broader field of Nordic noir that has recently risen to popular and critical prominence in the English-speaking world. It takes a truly interdisciplinary approach to the study of Scandinavian crime fiction, and is a valuable resource for scholars and more casual readers alike.'- Chris Homewood, Lecturer in World Cinemas, University of Leeds, UK
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