The Road

"A work of such terrible beauty that you will struggle to look away" - Tom Gatti, The Times "You will read on, absolutely convinced, thrilled, mesmerised." - Alan Warner, The Guardian "I could only take short bursts of it in Degas's rasping, downbeat delivery, but I had to keep going back to it. The completeness of this vision of post-apocalyptic desolation is brilliantly imagined." - Karen Robinson, The Sunday Times Rupert Degas is the most versatile of narrators: he excels in Haruki Murakami and was Pantalaimon in Philip Pullman's multivoiced Northern Lights. Chill menace is his forte, so when you turn on his narration of Cormac McCarthy's The Road get ready to turn into a hypnotised rabbit. - Christina Hardyment, The Times The conspiratorial, undramatic narration heightens the impact of this powerful and chilling vision of a post-apocalyptic America. Father and son struggle to survive in a ruined environment by feeding off the leavings of the dead. Sounds depressing, but is compelling and strangely beautiful. - Rachel Redford, The Observer This gripping, suspenseful novel will be hard to turn off - even by listeners with no or very little interest in the sci-fi genre. The Road begins in the late fall sometime in the future after catastrophe of horrible proportions has struck the continent. Two survivors, a man and his son, are traveling in a southerly direction. Are they seeking a warmer climate? Are they escaping from marauding bandits? Are they trying to locate other survivors? The pair carry their possessions in a grocery cart. The abandoned towns and cities are covered with a coating of gray ash. The forests contain the charred remains of bushes and trees. They subsist on what they can glean from abandoned houses, barns, and fields. Due to past experiences, they purposely avoid any contact with other people. Were they concerned about deadly contagious disease? robbery? murder? some kind of communicable radiation sickness? As the story progresses, the man