Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice
(Sprache: Englisch)
Providing a fresh angle on adaptation studies, this study looks at how avant-garde directors and filmmakers have treated literary works in distinct ways.
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Klappentext zu „Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice “
Providing a fresh angle on adaptation studies, this study looks at how avant-garde directors and filmmakers have treated literary works in distinct ways.
Inhaltsverzeichnis zu „Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice “
IntroductionPart I Chapter 1: Defining the Avant-Garde Film Chapter 2: Adaptation Theory and Practice Chapter 3: Appropriation Chapter 4: The Exploitative Adaptation Chapter 5: Why Avant-garde?Part II Chapter 6: A Brief Narrative History of Avant-Garde Adaptation or, Some Instances of Avant-Garde AdaptationPart III - Case Studies Chapter 7: The Fall of the House of Usher Chapter 8: Scorpio Rising Chapter 9: Fruit of Paradise Chapter 10: Hitler, A Film from Germany Chapter 11: Street of Crocodiles Chapter 12: The Dante Quartet Chapter 13: Alice Chapter 14: Prospero's Books Chapter 15: Wisconsin Death Trip Chapter 16: Specters of the Spectrum Chapter 17: Dracula, Pages from a Virgin's DiaryConclusionAppendix: Some Avant-Garde AdaptationsBibliographyIndex
Autoren-Porträt von William Verrone, Verrone William
William Verrone is Assistant Professor of Film and Literature at the University of North Alabama. He has published on a wide range of subjects, from Disney to Nick Cave and from Terry Gilliam to Ken Russell.
Bibliographische Angaben
- Autoren: William Verrone , Verrone William
- 288 Seiten, Maße: 15,6 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: Bloomsbury Academic
- ISBN-10: 1623562880
- ISBN-13: 9781623562885
- Erscheinungsdatum: 28.03.2013
Sprache:
Englisch
Rezension zu „Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice “
"With a certain amount of historical irony, adaptation studies have, in recent years, become a subtle, dynamic, and complex centerpiece in contemporary film and media studies. As the range of this work expands, new areas and issues continue to be explored, and Verrone's wide-ranging study of adaptation and the avant-garde is a long needed and exciting contribution to the intellectual energy of the field."--Timothy Corrigan, Professor of Cinema Studies, English, and History of Art, University of Pennsylvania; and author of The Essay Film: From Montaigne, After Marker
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