Andean Archaeology II

Part I. Introduction. 1. From Art to Material Culture; The editors. Part II. Andean Art and Society; Section Introduction. The editors. 2. Identification of the Camelid Woman and Feline Man Themes, Motifs, and Designs in Pucara Style Pottery; S.J. Chávez. 3. Differentiating Paracas Necropolis and Early Nasca Textiles; H. Silverman. 4. Proto-Writing in Moche Pottery at Cerro Mayal, Peru; M.A. Jackson. 5. Chachapoya Iconography and Society at Laguna de los Cóndores, Peru; A. von Hagen. 6. Art and Prestige among Noble Houses of the Equatorial Andes; T. Grieder, et al. Part III. Landschapes of Power; Section Introduction. The Editors. 7. The Gateways of Tiwanaku: Symbols of Passages? J.-P. Protzen, S. Nair. 8. Religious Ideology and Military Organization in the Iconography of a D-Shaped Ceremonial Precinct at Conchopata; J.O. Paravicino, M.C. Romero. 9. A New Perspective on Conchopata and the Andean Middel Horizon; W.H. Isbell, A.G. Cook. 10. The Correlation Between Geoglyphs and Subterranean Water Resources in the Río Grande de Nazca Drainage; D.W. Johnson, et al. 11. Rock Art, Historical Memory, and Ethnic Boundaries: A Study from the Northern Andean Highlands; T.L. Bray. Part V. Conclusion. 12. Issues of Cultural Production and Reproduction; The editors. Index