Broadway and Corporate Capitalism
The Rise of the Professional-Managerial Class, 1900-1920
(Sprache: Englisch)
Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
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Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
Inhaltsverzeichnis zu „Broadway and Corporate Capitalism “
1. To Stop the World: The Most Stupendous Impossibles 2. Where Do I Get Off At? The Wobblies Spurns the Hairy Ape 3. No Kick Coming: The Romantic Wobbly of Sidney Howard's They Knew What They Wanted 4. Jazzing the Wobblies: John Howard Lawson's Processionals 5. Dead Hand of the Dead: Anderson and Hickerson's Gods of the Lightning 6. "We Even Sing 'em in Jap and Chink": Upton Sinclair's Workers' Theater Contribution 7. You I-Won't Work Harp: I.W.W. Elegy in The Iceman Cometh 8. Postscript: Not Time Yet
Autoren-Porträt von M. Schwartz
Michael Schwartz is Temporary Assistant Professor of Theatre at Indiana University of Pennsylvania, USA.
Bibliographische Angaben
- Autor: M. Schwartz
- 2009, 1st ed., 220 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349380040
- ISBN-13: 9781349380046
Sprache:
Englisch
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