The Theatre of Enda Walsh

CONTENTS: Jesse Weaver: Enda Walsh and Space: The Evolution of a Playwright - Ian R. Walsh: Entertainment and Dystopia: Enda Walsh's The Ginger Ale Boy - Kevin McCluskey: Pig is/is not Runt: Gender and Shared Identity in the film adaptation of Disco Pigs - Lisa FitzPatrick: The Representation of Vulnerability in Enda Walsh's Sucking Dublin and Lynndie's Gotta Gun - Kay Martinovch: FIERCE WORDS / BRUTAL DEEDS: Abjection and Redemption in Enda Walsh's bedbound - Kevin Wallace: Through a Glass Darkly: Identity, Language and Performance in Enda Walsh's Chatroom - Finian O'Gorman: The Small Things: A Postdramatic Analysis - Nelson Barre: Fantasizing About Truth: Re-membered Histories and Performance in How These Desperate Men Talk - Tanya Dean: Real Versus Illusory in Enda Walsh's The Walworth Farce and The New Electric Ballroom - Katarzyna Ojrzynska: «Looking for martyrdom?»: Enda Walsh and Steve McQueen's Hunger - Audrey McNamara: Dead Men Talking: Stagnation and Entrapment in Enda Walsh's Penelope - Mary P. Caulfield: For Once and for all: Empathy and Mimesis in Enda Walsh's Musical for the «people of the world» - Michelle C. Paull: Ballyturk: Theatre and Event - Mikel Murfi: On Directing and Performing the Theatre of Enda Walsh - Nursen Gömceli: We Laugh A Lot When Mum's Away: Production and Reception of The Walworth Farce in Turkey - Siobhan O'Gorman: Sculpting the Spaces of Enda Walsh's Theatre: Sabine Dargent in Conversation.