Dreaming of Cinema
Spectatorship, Surrealism, and the Age of Digital Media
(Sprache: Englisch)
Video games, YouTube channels, Blu-ray discs, and other forms of new media have made theatrical cinema seem old. A sense of cinema lost has accompanied the ascent of digital media, and many worry films special capacity to record the real is either...
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Video games, YouTube channels, Blu-ray discs, and other forms of new media have made theatrical cinema seem old. A sense of cinema lost has accompanied the ascent of digital media, and many worry films special capacity to record the real is either disappearing or being fundamentally changed by new medias different technologies. The Surrealist movement offers an ideal platform for resolving these tensions, undermining the claims of cinemas crisis of realism and offering an alternative interpretation of films aesthetics and function. The Surrealists never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Reading the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell, and tracing their influence in the films of David Cronenberg, Nakata Hideo, and Atom Egoyan
Inhaltsverzeichnis zu „Dreaming of Cinema “
List of IllustrationsAcknowledgmentsIntroduction: Cinema as Digital Dream Machine1. Enlarged Spectatorship: From Realism to Surrealism: Bazin, Barthes, and The (Digital) Sweet Hereafter2. Interactive Spectatorship: Gaming, Mimicry, and Art Cinema: Between Un chien andalou and eXistenZ3. Globalized Spectatorship: Ring Around the Superflat Global Village: J-Horror Between Japan and America4. Posthuman Spectatorship: The Animal in You(Tube): From Los olvidados to "Christian the Lion"5. Collaborative Spectatorship: The Surrealism of the Stars: From Rose Hobart to Mrs. Rock HudsonAfterword: Marking Cinematic TimeNotesBibliographyIndex
Autoren-Porträt von Adam Lowenstein
Adam Lowenstein is associate professor of English and film studies at the University of Pittsburgh, where he also directs the film studies program. He is the author of Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film.
Bibliographische Angaben
- Autor: Adam Lowenstein
- 2015, 272 Seiten, 38 Abbildungen, Maße: 15,3 x 22,9 cm, Kartoniert (TB), Englisch
- Verlag: Columbia University Press
- ISBN-10: 0231166575
- ISBN-13: 9780231166577
- Erscheinungsdatum: 30.01.2015
Sprache:
Englisch
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