Encores for Choirs, Chorpartitur.Vol.1
Vocal score
(Sprache: Englisch)
An anthology of 24 stunning show-stoppers guaranteed to bring the house down. Full of choral pieces arranged for SATB choir in an amazing variety of styles and moods - humorous, comforting, dazzling, quirky, sentimental, classical, spiritual... it's all there.
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Produktinformationen zu „Encores for Choirs, Chorpartitur.Vol.1 “
An anthology of 24 stunning show-stoppers guaranteed to bring the house down. Full of choral pieces arranged for SATB choir in an amazing variety of styles and moods - humorous, comforting, dazzling, quirky, sentimental, classical, spiritual... it's all there.
Inhaltsverzeichnis zu „Encores for Choirs, Chorpartitur.Vol.1 “
- Banquet Fugue
- Christopher Robin is saying his prayers
- Drunken sailor
- Geographical Fugue
- The Gosling
- Home is a special kind of feeling
- I do like to be beside the seaside
- Irish Blessing
- Italian Salad
- Let's begin again
- Londonderry Air
- The Lost Chord
- The Mermaid
- Name that tune
- Old McDonald had a farm
- Quick! We have but a second
- Rejection
- Sourwood mountain
- Steal away
- The Teddy Bears' Picnic
- Tequila Samba
- Two for the price of one
- Viva la musica
Autoren-Porträt
Peter Gritton studied music at Clare College, Cambridge before taking up a post at Christ Church, Oxford as a countertenor Lay Clerk. Peter has sung with a variety of groups including The Sixteen, The Cambridge Singers, Gabrieli Consort, I Fagiolini, and a close harmony group, The Light Blues, with whom he has travelled worldwide. He is currently Director of Music at St Paul's School. London, as well as enjoying a busy schedule composing, arranging, and singing.Bibliographische Angaben
- 2004, Vocal score, 176 Seiten, Maße: 25,4 cm, Kartoniert (TB), Englisch
- Herausgegeben: Peter Gritton
- Verlag: Oxford University Press
- ISBN-10: 0193436302
- ISBN-13: 9780193436305
Sprache:
Englisch
Pressezitat
It contains a range of items from the overtly sentimental to the dizzyingly cerebral with which to wow your audience. The Singer, August 98
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