Everyman's Library Contemporary Classics Series / The Famished Road
Introduction by Vanessa Guignery, Ausgezeichnet: Booker Prize, 1991
(Sprache: Englisch)
A beautiful hardcover Contemporary Classics edition of Nigerian author Ben Okri's lushly imaginative novel, which was awarded the Booker Prize in 1991.
The narrator of The Famished Road is a spirit-child who exists between life and...
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A beautiful hardcover Contemporary Classics edition of Nigerian author Ben Okri's lushly imaginative novel, which was awarded the Booker Prize in 1991.
The narrator of The Famished Road is a spirit-child who exists between life and death, destined to an endless cycle of death and rebirth. But this time, born with a smile on his face, Azaro begins to fall in love with life and to rebel against his fate. The story the child tells flows between the difficulties of the land of the living and the carefree world of spirits. Okri infuses a vivid portrait of an unnamed West African country with the rich traditions of African mythology and the result is a powerfully haunting masterpiece.
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
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from the INTRODUCTION by Vanessa GuigneryI felt on the edge of reality. These are the words uttered by the narrator of The Famished Road as he recalls his venturing to a location that looked like a strange fairyland in the real world . The sentence perfectly encapsulates the ambivalent and fragile position of a child whose wanderings take him and the readers of Okri s third novel to a multiplicity of places set in the real or the supernatural realm, or a mixture of both. A child of miracles, who knows no boundaries and observes what surrounds him with eyes wide open, Azaro is our very special guide into Okri s
enchanting and terrifying worlds.
In 1991, the publication of The Famished Road marked the emergence of a unique literary voice, that of a writer who was born in 1959 in Minna, a railway town in central Nigeria, nineteen months before his country s independence, lived in London between the ages of one-and-a-half and seven, reluctantly travelled back to Nigeria with his parents and siblings in 1966, and eventually decided to settle in Great Britain at the age of nineteen. While the violence of the Nigeria Biafra war of 1967 70 greatly affected the young boy, life in Lagos sparked his imagination, teaching him that there was no one world-view, but as many worlds as there are ways of seeing . As a teenager, he closely observed his father practising law and taking up the cases of destitute people, which led him to develop a fascination for human beings and more particularly the voiceless and unheard victims of social inequalities. In 1978, he left Nigeria for London, which he considered the home of literature, and two years later published his first novel, Flowers and Shadows, in the Longman Drumbeat series, a showcase for recent African writing. This was followed by The Landscapes Within in 1981 and two collections of short stories (Incidents at the Shrine in 1986 and Stars of the New Curfew in 1988), which prompted Chinua Achebe to name
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Okri as one of the new generation of African writers who hold a promise of becoming really major . The promise was fulfilled with The Famished Road which won the Booker Prize, making Okri, at the time, the youngest recipient and first black African writer to receive the award. Three decades after winning the prestigious prize, Okri, for whom writing is an Arcadia, declared that the flame and the hunger and the dreams were still there.
The Famished Road, Okri noted, was the outcome of a decade of experimentation with form, tone and tincture, in order to find the elixir that would enable him to create the imaginary world he had in mind. This implied, on the part of the author, a Blakean cleansing of the doors of perception to see, hear, smell, taste and touch the world differently. The novel invites readers to do likewise, to open their senses and minds, to look at and for what is not directly visible, not the things we s[ee], but the things in between, the myths in between, the tone in between , to quote Okri. When a character announces: We must look at the world with new eyes , he is echoing what Okri wrote in several poems, short stories and essays, and this new insight pertains to both the visible and the invisible. The reader is therefore encouraged to let go of previous assumptions, entrenched reading habits and Western binary conceptions which separate the living and the dead, the real and the supernatural. Instead, The Famished Road privileges circulation, the free flow of ideas, sensations, stories and worlds without boundaries. This implies that, in accordance with West African modes of being and perceiving, the spirits and the dead are part of the everyday environment of the living, making it possible for them all to eat at the same table and
The Famished Road, Okri noted, was the outcome of a decade of experimentation with form, tone and tincture, in order to find the elixir that would enable him to create the imaginary world he had in mind. This implied, on the part of the author, a Blakean cleansing of the doors of perception to see, hear, smell, taste and touch the world differently. The novel invites readers to do likewise, to open their senses and minds, to look at and for what is not directly visible, not the things we s[ee], but the things in between, the myths in between, the tone in between , to quote Okri. When a character announces: We must look at the world with new eyes , he is echoing what Okri wrote in several poems, short stories and essays, and this new insight pertains to both the visible and the invisible. The reader is therefore encouraged to let go of previous assumptions, entrenched reading habits and Western binary conceptions which separate the living and the dead, the real and the supernatural. Instead, The Famished Road privileges circulation, the free flow of ideas, sensations, stories and worlds without boundaries. This implies that, in accordance with West African modes of being and perceiving, the spirits and the dead are part of the everyday environment of the living, making it possible for them all to eat at the same table and
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Autoren-Porträt von Ben Okri
BEN OKRI's books have won several awards including the Commonwealth Writers' Prize for Africa, the Paris Review Aga Khan Prize for Fiction and the International Literary Prize Chianti Rufino-Antico Fattore 1993. The Famished Road won the Booker Prize in 1991. He was born in Minna, Nigeria.About the Introducer: VANESSA GUIGNERY is Professor of English Literature and Postcolonial Literature at the École Normale Supérieure de Lyon, France. She is the author of Novelists in the New Millennium.
Bibliographische Angaben
- Autor: Ben Okri
- 2021, 616 Seiten, Maße: 13,3 x 21 cm, Gebunden, Englisch
- Verlag: Penguin Random House
- ISBN-10: 0593320255
- ISBN-13: 9780593320259
- Erscheinungsdatum: 06.09.2021
Sprache:
Englisch
Pressezitat
"A dazzling achievement."--Henry Louis Gates, Jr., The New York Times Book Review
"A mesmerizing vision of modern Nigeria, seen through the eyes of a peculiarly sentient child . The Famished Road is a quintessential African novel. The Philadelphia Inquirer
A stunning work, suspenseful and haunting, the product of one of the lushest imaginations on record. The Plain Dealer
"A masterpiece if one ever existed."
--The Boston Globe
"Dazzling, hypnotic...a true feast for the word hungry."
--San Francisco Chronicle
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