Frühauf, T: Dislocated Memories

Introduction; Tina Fruhauf and Lily E. Hirsch; Part I: Perceptions of Re-presence; 1. Tina Fruhauf (Adjunct Assistant Professor at Columbia University/Editor at RILM): A Historiography of Postwar Writings on Jewish Music during the 1930s and 1940s; 2. Joel E. Rubin (Assistant Professor of Ethnomusicology and Director of Music at the University of Virginia, Charlottesville): With an Open Mind and With Respect: Klezmer as a Site of the Jewish Fringe in Germany in the Early Twenty-first Century; 3. Amy Lynn Wlodarski (Associate Professor of Music at Dickinson College, Carlisle): Musical Memories of Terezin in Transnational Perspective; Part II: Dislocated Presence; 4. Bret Werb (Music Curator at the United States Holocaust Memorial Museum, Washington DC): Vu ahin zol ikh geyn?: Music Culture of Jewish Displaced Persons; 5. Sophie Fetthauer (Research Fellow, Universitat Hamburg), The Katset-Teater and the Development of Yiddish Theater in the DP Camp Bergen-Belsen; 6. Joshua S. Walden (Faculty of Musicology, Peabody Conservatory of The Johns Hopkins University): Driven from Their Home: Jewish Displacement and Musical Memory in the 1948 Movie Long Is the Road; Part III: Politics of Memory; 7. Barbara Milewski (Associate Professor of Music at Swarthmore College), Remembering the Concentration Camps: Aleksander Kulisiewicz and his Concerts of Prisoners' Songs in the Federal Republic of Germany; 8. David Shneer (Louis P. Singer Professor of Jewish History at the University of Colorado, Boulder), Eberhard Rebling, Lin Jaldati, and Yiddish Music in East Germany, 1949-1962; 9. Joy H. Calico (Associate Professor of Musicology at Vanderbilt University, Nashville): Jewishness and Antifascism: Schoenberg's A Survivor from Warsaw in East Germany (1958); Part IV: Modes of Commemoration; 10. Florian Scheding (Lecturer in Music at Bristol University), Where is the Holocaust in All of This? Gyorgy Ligeti and the Dialectics of Life and Work; 11. Sabine Feisst (Associate Professor of

Dr. Fruhauf is teaching at Columbia University and is editor at Repertoire International de Litterature Musicale in New York. She has received numerous fellowships and grants, most recently from the American Musicological Society, the Leo Baeck Institute, and the Memorial Foundation for Jewish Culture. Dr. Fruhauf has published articles in the The Musical Quarterly, usica Judaica, and TDR: The Drama Review, and contributed numerous book chapters on the German Jewish music culture. She is the author of The Organ and Its Music in German-Jewish Culture (New York: Oxford University Press, 2009) and editor of An Anthology of German-Jewish Organ Music (A-R Editions, 2013). Dr. Fruhauf is currently conducting research for a monograph on music in the Jewish communities of Germany after 1945. Lily E. Hirsch (PhD, Duke University, 2006) is an independent scholar and current chair of the Jewish Studies and Music Study Group of the American Musicological Society. She was previously Assistant Pro