Guide to Computing for Expressive Music Performance
(Sprache: Englisch)
This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to detailing the fundamental ideas, and key issues and directions for future research.
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This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to detailing the fundamental ideas, and key issues and directions for future research.
Klappentext zu „Guide to Computing for Expressive Music Performance “
This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: includes review questions at the end of each chapter; presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems; examines two systems in detail, YQX and IMAP, each providing an example of a very different approach; introduces techniques for synthesizing expressive non-piano performances; addresses the challenges found in polyphonic music expression, from a statistical modelling point of view; discusses the automated analysis of musical structure, and the evaluation of CSEMPs; describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments.
Inhaltsverzeichnis zu „Guide to Computing for Expressive Music Performance “
An Overview of Computer Systems for Expressive Music Performance Alexis Kirke and Eduardo MirandaSystems for Interactive Control of Computer Generated Music Performance Marco Fabiani, Anders Friberg and Roberto Bresin
Expressive Performance Rendering with Probabilistic Models Sebastian Flossmann, Maarten Grachten and Gerhard Widmer
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach Eduardo Miranda, Alexis Kirke and Qijun Zhang
Modelling, Analysing, Identifying and Synthesizing Expressive Popular Music Performances Rafael Ramirez, Esteban Maestre and Alfonso Perez
Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto and Shigeki Sagayama
Evaluation of Computer Systems for Expressive Music Performance Roberto Bresin and Anders Friberg
Computational Music Theory and its Applications to Expressive Performance and Composition Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo
Anthropomorphic Musical Robots Designed to Produce Physically-Embodied Expressive Music Performances Jorge Solis and Atsuo Takanishi
Autoren-Porträt
Prof. Eduardo R. Miranda is a composer and Professor in Computer Music at Plymouth University, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR). Dr. Alexis Kirke is a Research Fellow at ICCMR and composer-in-residency at the Marine Institute - Plymouth University.
Bibliographische Angaben
- 2012, 262 Seiten, Maße: 16 x 24,1 cm, Gebunden, Englisch
- Herausgegeben: Alexis Kirke, Eduardo Reck Miranda
- Verlag: Springer, Berlin
- ISBN-10: 1447141229
- ISBN-13: 9781447141228
- Erscheinungsdatum: 01.08.2012
Sprache:
Englisch
Rezension zu „Guide to Computing for Expressive Music Performance “
"This is a useful reference book for any scientific library that supports music research." (Soubhik Chakraborty, ACM Computing Reviews, Apr 10 2013, Review #: CR141126)
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