Land & Environmental Art

Jeffrey Kastner, based in New York, is a writer on art and culture. Senior Editor of Cabinet magazine, he is a former Senior Editor of ARTnews, and Contributing Editor of Art Monthly. As well as lecturing on art in America and Europe, Kastner has contributed reviews and essays on contemporary art and popular culture for numerous magazines, including Artforum, Art & Design, Flash Art, The Economist and frieze.

Brian Wallis is Chief Curator and Director of Exhibitions at the International Center of Photography, New York. As well as curating, he has taught Critical Theory at Yale University and was McCracken Fellow at New York University. Wallis has authored and edited numerous books on contemporary culture, among them Art After Modernism (New Museum/David Godine, 1984), Blasted Allegories (New Museum/MIT Press, 1986) and Constructing Masculinity (Routledge, 1995). In 1996 he curated the exhibition 'Counterculture: Alternative Information from the Underground Press to theInternet' at Exit Art in New York. Wallis was formerly senior editor of Art in America and a curator at the New Museum of Contemporary Art, New York, where he organized serveral exhibitions including a Hans Haacke retrospective in 1986.

hardback "This worthy tome ... A good coffee table book to impress those art college and environmentalist friends." Harvey Nichols Magazine "An excellent introductory essay by the critic Brian Wallis lists the key artists (Christo, Holt, Long etc), works and issues that define Land Art historically, as well as its later ramifications." Venue "This volume appears in a new Phaidon series, 'Themes and Movements', concerned with the documentation, both verbal and visual, of post-war art. - All the key practitioners are here (Smithson, Heizer, De Maria, Christo, Long etc), along with some less familiar names, and the photographs - for most of us, the only access to these works - are accompanied by a generous, imaginative selection from contemporary texts." Architects' Journal "Land and Environmental Art is so massive it's almost land art itself. - huge, handsomely designed - The photographs in the book are gorgeous (the opening panorama of De Maria's The Lightning Field is worth the book's price alone)." Azure Magazine " - this extraordinary book - In his Survey, Brian Wallis gives a good overview of the art historical context of the early works, demonstrating their genesis in relation to minimalism and the modernist ideologies of critics such as Greenberg and Michael Fried. He also manages to give a sense of the radical ferment of the time: the earliest earthworks were made at the height of the Vietnam War, around the time of the student riots in Paris. - What makes the book invaluable is the comprehensiveness of its illustrations and the fascinating collection of documents in its final section. Divided by the colour of their headlines into artist's statements, critical comment, and writings on the cultural contexts of land and environmental art, these documents vastly expand the sweep of the book. From contemporary reviews and interviews with artists to extracts from historical texts, novels and exhibition catalogues, this section could have stood alone as a