Legends
Winner of Deutscher Krimi-Preis, Kategorie International 2007, and the Los Angeles Times Book Prize
(Sprache: Englisch)
Martin Odum, ehemals CIA-Agent und nun Privatdetektiv, kämpft mit einem enormen Handicap: Er kann seine vielen vergangenen Identitäten, Legenden im CIA-Jargon, nicht mehr auseinander halten und leidet an einer multiplen Persönlichkeit. In seinem neuen Fall...
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Martin Odum, ehemals CIA-Agent und nun Privatdetektiv, kämpft mit einem enormen Handicap: Er kann seine vielen vergangenen Identitäten, Legenden im CIA-Jargon, nicht mehr auseinander halten und leidet an einer multiplen Persönlichkeit. In seinem neuen Fall aber muss er sich der Legenden erneut bedienen.
Klappentext zu „Legends “
Now a TNT series starring Sean Bean, from the producers of 24 and Homeland Robert Littell is today widely considered one of the true grand masters of American spy fiction, hailed for his profound grasp of the ambiguous world of international espionage, grippingly displayed in his thirteen novels. His most recent international bestseller, The Company , was praised as being "popular fiction at its finest" by the Washington Post Book World and as "one of the best spy novels ever written" by the Chicago Tribune . Now delving into one agent's labyrinth of memories and past identities-"legends," in CIA parlance- Legends again displays Littell's unparalleled prowess as a seductive storyteller exploring the clandestine but always very human world of secret agents.
Lese-Probe zu „Legends “
1993: THE CONDEMNED MAN CATCHES A GLIMPSE OF THE ELEPHANTTHEY HAD FINALLY GOTTEN AROUND TO PAVING THE SEVEN kilometers of dirt spur connecting the village of Prigorodnaia to the four-lane Moscow-Petersburg highway. The local priest, surfacing from a week-long binge, lit beeswax tapers to Innocent of Irkutsk, the saint who in the 1720s had repaired the road to China and was now about to bring civilization to Prigorodnaia in the form of a ribbon of macadam with a freshly painted white stripe down the middle.
The peasants, who had a shrewder idea of how Mother Russia functioned, thought it more likely that this evidence of progress, if that was the correct name for it, was somehow related to the purchase, several months earlier, of the late and little lamented Lavrenti Pavlovich Beria's sprawling wooden dacha by a man identified only as the Oligarkh . Next to nothing was known about him. He came and went at odd hours in a glistening black Mercedes S-600 sedan, his shock of silver hair and dark glasses a fleeting apparition behind its tinted windows. A local woman hired to do laundry was said to have seen him angrily flick cigar ashes from the crow's-nest rising like a turret from the dacha before turning back to issue instructions to someone. The woman, who was terrified of the dacha's newfangled electric washing machine and scrubbed the laundry in a shallow reach of the river, had been too far away to make out more than a few words- "Buried, that's what I want, but alive . . ."-but they and the ' Oligarkh 's feral tone had dispatched a chill down her spine that made her shudder every time she recounted the story.
Two peasants cutting firewood on the other side of the river had caught a glimpse of the Oligarkh from a distance, struggling on aluminum crutches along the path behind his dacha that led to the dilapidated paper factory disgorging dirty white smoke from its giant stacks fourteen hours a day, six days a week, and beyond that to the village cemetery
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and the small Orthodox church with the faded paint peeling away from its onion domes. A pair of Borzois rollicked in the dirt ahead of the Oligarkh as he thrust one hip forward and dragged the leg after it, then repeated the movement with the other hip. Three men in Ralph Lauren jeans and telnyashki , the distinctive striped shirts that paratroopers often continued to wear after they quit the army, trailed after him, shotguns cradled in the crooks of their arms. The peasants had been sorely tempted to try for a closer look at the stubby, hunch-shouldered newcomer to their village, but abandoned the idea when one of them reminded the other what the Metropolitan come from Moscow to celebrate Orthodox Christmas two Januaries earlier had proclaimed from the ambo:
If you are stupid enough to dine with the devil, for Christ's sake use a long spoon.
The road crew, along with giant tank-treaded graders and steamrollers and trucks brimming with asphalt and crushed stone, had turned up during the night while the aurora borealis was still flickering like soundless cannon fire in the north; it didn't take much imagination to suppose a great war was being fought beyond the horizon. Casting elongated shadows in the ghostly gleam of headlights, the men pulled on tar-stiff overalls and knee-high rubber boots and set to work. By first light, with forty meters of paved road behind them, the aurora and the stars had vanished, but two planets were visible in the moonless sky: one, Mars, directly overhead, the other, Jupiter, still dancing in the west above the low haze saturated with the amber glow of Moscow. When the lead crew reached the circular crater that had been gouged in the dirt spur the day before by a steam shovel, the foreman blew on a whistle. The machines ground to a halt. "Why are we stopping?" one of the drivers, leaning out the cab of his steamroller, shouted impatiently through the face mask he'd improvised t
If you are stupid enough to dine with the devil, for Christ's sake use a long spoon.
The road crew, along with giant tank-treaded graders and steamrollers and trucks brimming with asphalt and crushed stone, had turned up during the night while the aurora borealis was still flickering like soundless cannon fire in the north; it didn't take much imagination to suppose a great war was being fought beyond the horizon. Casting elongated shadows in the ghostly gleam of headlights, the men pulled on tar-stiff overalls and knee-high rubber boots and set to work. By first light, with forty meters of paved road behind them, the aurora and the stars had vanished, but two planets were visible in the moonless sky: one, Mars, directly overhead, the other, Jupiter, still dancing in the west above the low haze saturated with the amber glow of Moscow. When the lead crew reached the circular crater that had been gouged in the dirt spur the day before by a steam shovel, the foreman blew on a whistle. The machines ground to a halt. "Why are we stopping?" one of the drivers, leaning out the cab of his steamroller, shouted impatiently through the face mask he'd improvised t
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Autoren-Porträt von Robert Littell
Robert Littell gilt als Meister des amerikanischen Spionageromans. Sein Buch »Die kalte Legende« wurde von der Presse als »einer der besten Agententhriller, die je geschrieben wurden« bezeichnet, und steht ganz in der Tradition von John le Carré. Er erhielt dafür den Deutschen Krimipreis 2007 in der Kategorie »Internationale Krimis«. Bevor er sich dem Schreiben zuwandte, arbeitete der Autor als Newsweek-Korrespondent im Nahen Osten. Der Autor lebt heute in Frankreich.
Bibliographische Angaben
- Autor: Robert Littell
- 2006, 385 Seiten, Maße: 14,6 x 20,4 cm, Kartoniert (TB), Englisch
- Verlag: Penguin US
- ISBN-10: 014303703X
- ISBN-13: 9780143037033
Sprache:
Englisch
Pressezitat
"Now and then novels come along of such originality and power that they blow me away. .. .[Legends] makes it blazingly clear that Littell's is one of the most talented, most original voices in American fiction today." -The Washington Post" Legends solidifies Mr. Littell's position among the pantheon of great espionage writers." - Otto Penzler, The New York Sun
"Robert Littell's convincing spy story is brimming with great characters." - New York Post
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