Making Of: Making Re-Live
A History, a Heritage, a Culture...
(Sprache: Englisch)
Cinema artworks are used by the filmmakers to treat issues that a society may face, aiming to sensitize the audience to find a solution. This is a permanent spread formula which was enough treated by many theorists. What if we decode a movie as a mirror...
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Cinema artworks are used by the filmmakers to treat issues that a society may face, aiming to sensitize the audience to find a solution. This is a permanent spread formula which was enough treated by many theorists. What if we decode a movie as a mirror which reflects a society, illustrates its identity, represents its anthropological concept, clarifies the specificity of its DNA, which nucleotides figure in traditions, dressings, cooks, language, architecture, and so on. While making of a movie, any filmmaker, whatever would be his origin, unconsciously represents his identity to the spectators, enabling them to closely touch a historical situation, already lived his country, many decades or centuries ago. This makes a movie, once internationally distributed, or selected in international competitions, or invited as a tribute to the filmmaker and his career, able to represent an ethnicity, a religion, a society, a heritage, a culture, a history... re-lived by the viewers.
Bibliographische Angaben
- Autor: Faten Ridene Raissi
- 2018, 128 Seiten, Maße: 22 cm, Kartoniert (TB), Englisch
- Verlag: Noor Publishing
- ISBN-10: 6202350156
- ISBN-13: 9786202350150
Sprache:
Englisch
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