Masculinities and the Contemporary Irish Theatre
(Sprache: Englisch)
Irish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out...
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Irish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.
Inhaltsverzeichnis zu „Masculinities and the Contemporary Irish Theatre “
List of illustrations Acknowledgements Introduction Contesting Canons Performing Patriarchy Monologies and Masculinities Quare Fellas Male Races Protestant Boys After Words Bibliography Index
Autoren-Porträt von B. Singleton
BRIAN SINGLETON Research Fellow at the Freie Universität Berlin (Interweaving Cultures of Performance Research Centre) and teaches at Trinity College Dublin. His research focus is on orientalism, interculturalism and networks in performance with specific reference to race and gender. Previous publications include Oscar Asche, Orientalism and British Musical Comedy (2004), two books on the life and work of Antonin Artaud, and two special collections of essays on contemporary Irish theatre for Australasian Drama Studies (with Anna McMullan) and Modern Drama (with Karen Fricker). He is President of the International Federation for Theatre Research. Bibliographische Angaben
- Autor: B. Singleton
- 2010, 2011., 227 Seiten, Maße: 21,6 cm, Gebunden, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 0230222803
- ISBN-13: 9780230222809
Sprache:
Englisch
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