Murder Under Her Skin
A Pentecost and Parker Mystery
(Sprache: Englisch)
A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to...
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A New York Times Book Review Editor’s Choice • Rex Stout meets Agatha Christie with a fresh twist in the new Pentecost and Parker Mystery, a delightfully hardboiled high-wire act starring two daring women sleuths dead set on justice as they set out to solve a murder at a traveling circus“A delight.... It’s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion.” The New York Times Book Review
Someone’s put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime, and secrets worth killing for.
Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go.
To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.
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Chapter 1The prosecution calls Lillian Pentecost to the stand.
A wave of barely hushed whispers washed over the courtroom. Judge Harman, never one to shy away from a good gavel-banging, let it go unscolded for a change. He couldn t really blame folks. They d been packed shoulder to shoulder on the hard courtroom benches for three long days, watching the calendar flip from July to August 1946 while they slogged through the boring nuts and bolts of the prosecution s case. Waiting for the real drama to start.
The air-conditioning had gone belly-up halfway through day one and the two hundred or so reporters, family members, and assorted lookie-loos were sweating through their stay-pressed as we approached the climax of the city s murder trial of the moment.
My boss was the climax.
Every eye in the room was on Lillian Pentecost as she made her way to the witness stand, cane thumping out an even rhythm on the courtroom s hardwood floor. She cut an impressive figure: tall, slender, on the far side of forty, impeccable posture the better to show off the lines of her gray herringbone suit, white collared blouse, and favorite blood-red tie. Her long chestnut hair was tied up in a labyrinth of braids, her signature streak of gray weaving through like a vein of quicksilver.
I even got her to slap on some makeup. A little eye shadow to bring out the winter-gray of her eyes, blush to add drama to her hawkish profile, and the palest of pink lipsticks to make her mouth seem a tad less severe. The goal was no-nonsense but approachable. A woman you d trust to tell you who murdered who.
The defense table was an island of stillness in the midst of the tittering. Forest Whitsun, attorney for the defense, turned in his seat to watch Ms. P s approach, the look on his face steely confidence mixed with a dash of curiosity.
Sure, I m interested in what she has to say, his expression told the jurors, but only so I can explain to you good people why
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she s mistaken.
As for the defendant, you could have propped him outside a cigar shop, he was so wooden. Over the last few days, Barry Sendak had perfected the look of the unjustly accused, woe-is-me. Now, his eyes were blank, lips pressed in a thin line.
I ll give him this, though he didn t look like an arsonist.
Which was a problem.
Not that arsonists come ready-to-wear. But you d expect someone who was responsible for burning seventeen people alive and leaving hundreds more homeless and grieving to show it on his face.
The Old Testament scribblers had it right. Murder should leave a mark.
But that was wishful thinking.
The jury had spent the last three days looking for a tell and coming up empty. All they saw was a soft pudge of a man who barely topped five feet. Who at thirty was sliding to bald and thought a brush mustache would make up the difference. He had the imposed-upon air of a civil servant, which is exactly what he was, having spent the last ten years as a safety inspector for the New York City Fire Department. He had the watery brown eyes of a doe in the forest, and in his one-size-too-big suit he looked more like prey than predator.
I knew different.
I d been with him when my boss pointed the finger and Lieutenant Nathan Lazenby, one of the city s top homicide cops, slapped on the cuffs. Nobody would have mistaken Sendak for prey then.
When I was little, my father made me help him drag a badger out of its burrow near our garden. It had been making waste of our lettuce and my father decided it was time for the thing to go. He stood behind me with a shotgun while I grabbed it by its legs and pulled. It came out spitting and clawing and if my Dad hadn t been so quick on
As for the defendant, you could have propped him outside a cigar shop, he was so wooden. Over the last few days, Barry Sendak had perfected the look of the unjustly accused, woe-is-me. Now, his eyes were blank, lips pressed in a thin line.
I ll give him this, though he didn t look like an arsonist.
Which was a problem.
Not that arsonists come ready-to-wear. But you d expect someone who was responsible for burning seventeen people alive and leaving hundreds more homeless and grieving to show it on his face.
The Old Testament scribblers had it right. Murder should leave a mark.
But that was wishful thinking.
The jury had spent the last three days looking for a tell and coming up empty. All they saw was a soft pudge of a man who barely topped five feet. Who at thirty was sliding to bald and thought a brush mustache would make up the difference. He had the imposed-upon air of a civil servant, which is exactly what he was, having spent the last ten years as a safety inspector for the New York City Fire Department. He had the watery brown eyes of a doe in the forest, and in his one-size-too-big suit he looked more like prey than predator.
I knew different.
I d been with him when my boss pointed the finger and Lieutenant Nathan Lazenby, one of the city s top homicide cops, slapped on the cuffs. Nobody would have mistaken Sendak for prey then.
When I was little, my father made me help him drag a badger out of its burrow near our garden. It had been making waste of our lettuce and my father decided it was time for the thing to go. He stood behind me with a shotgun while I grabbed it by its legs and pulled. It came out spitting and clawing and if my Dad hadn t been so quick on
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Autoren-Porträt von Stephen Spotswood
Stephen Spotswood
Bibliographische Angaben
- Autor: Stephen Spotswood
- 2021, Internationale Ausgabe, 368 Seiten, Maße: 14,1 x 20,9 cm, Kartoniert (TB), Englisch
- Verlag: Doubleday
- ISBN-10: 0385548036
- ISBN-13: 9780385548038
- Erscheinungsdatum: 10.12.2021
Sprache:
Englisch
Pressezitat
A New York Times Book Review Editor s Choice Lambda Literary Award for LGBTQ Mystery FinalistA delight. . . It s a pleasure to watch [Pentecost and Parker] sifting through red herrings and peeling secrets back like layers of an onion, all while revealing even more of themselves without guilt or shame. Just like his mystery-writing ancestor [Rex Stout], Spotswood understands that the detective story should be sound, but spending time with unforgettable characters is paramount. The New York Times Book Review
"Spotswood s ability to subvert genre tropes with intriguing and distinctive characters make this whodunit a delightfully unusual read. Readers will look forward to Pentecost and Parker s further adventures." Publishers Weekly
"Will s slangy first-person narrative is captivating, and fans of circus life, such as it was, will enjoy this tale, as will followers of the 1940s hard-boiled detective genre, considerably enlivened here by having two no-nonsense women do the sleuthing." Booklist
"Rich circus atmosphere and a satisfying puzzle." Kirkus Reviews
"Parker narrates the novel in a voice shot through with not only guts but wry humor.... The relationship between Pentecost and Parker grows ever more fun with time. So where will they go next? For me, it doesn t matter as long as I get to go along." BookReporter
"Just as vibrant and compelling as [Fortune Favors the Dead]. . . The best things about this novel/series are Spotswood s clever prose and dialogue, which so perfectly calls to mind the time period and the very colorful characters he s crafted. . . Spotswood is quickly climbing the ranks of my favorite current authors, securing himself a spot on my instant-order list, and his Pentecost and Parker mysteries are a solid recommendation to any fans of historical fiction,
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lady investigators, or mysteries centered around queer characters." Criminal Element
"Set amid the glitz and glimmer of showbiz, [Murder Under Her Skin] expose[s] the corruption and abuse that exists after the shine of spotlights go out. But even more than that, [it examines a critical period] during which women's roles were shifting as they demanded more freedoms. . . As they work the case, Will and Lillian find the world in flux around them, which Spotswood ably explores without distracting from the central mystery. . . None of the characters in this mystery quite know how to cope with these seismic cultural changes, setting Murder Under Her Skin apart from more simplistic stories set in the same time period." BookPage
"Just like the first book in the series, Murder Under Her Skin is a fun and engaging read with a whodunit that keeps you guessing and entertained." Historical Novel Society
Praise for Stephen Spotswood and the Pentecost and Parker Mystery Series:
Winner of the 2021 Nero Award
"Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel." Tana French, author of The Searcher
"Bullets, blood, bodies, and belly-laughs: all the ingredients of a classic mystery novel. Stephen Spotswood hard-boils with the best of em!" Alan Bradley, author of the Flavia de Luce Mystery Series
"Takes gritty 40s noir, shakes it up, gives it a charming twist, and serves it up with unforgettable style. My new favorite sleuthing duo are Pentecost and Parker, the spiritual sisters of Nero Wolfe and Archie Goodwin. An utterly brilliant debut!" Deanna Raybourn, author of the Veronica Speedwell Mysteries
"Humorous and fun [with] all the hallmarks of an Agatha Christie mystery, and there s a delightful dose of noir thrown in for the more hardcore pulp fiction crowd, too. . . This duo will be around for years to come." Bookpage *Starred Review*
"Every page nay, every paragraph is rich and compelling. . . If anyone s the heir apparent to Phryne Fisher or Elementary s Sherlock and Joan, it s Parker and Pentecost. This is an adventure you ll want to rave about to strangers on the streets." Criminal Element
"A relentlessly entertaining romp through 1940 s New York City, and through the annals of mystery fiction, as well, with many sly nods to authors of the past and some invigorating reinventions of classic tropes and gambits." CrimeReads
"Sparkles [with] wit and personality. . . This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun." Shelf Awareness
"Good news, mystery readers, your new favorite sleuthing duo has arrived on the scene! . . . A refreshing update to a classic Golden Age mystery, serving hard-boiled thrills and laugh-out-loud wit with charm and panache. A fantastic read!" Northen Virginia Magazine
"If you ve been dying for a fresh take on the sleuth genre, this book delivers that and more. A mix of classic noir aesthetics and tropes with an inclusive twist. . . The kind of mystery series that will capture your imagination in new and fun ways, and have you desperate to get your hands on more." Get Literary
"Set amid the glitz and glimmer of showbiz, [Murder Under Her Skin] expose[s] the corruption and abuse that exists after the shine of spotlights go out. But even more than that, [it examines a critical period] during which women's roles were shifting as they demanded more freedoms. . . As they work the case, Will and Lillian find the world in flux around them, which Spotswood ably explores without distracting from the central mystery. . . None of the characters in this mystery quite know how to cope with these seismic cultural changes, setting Murder Under Her Skin apart from more simplistic stories set in the same time period." BookPage
"Just like the first book in the series, Murder Under Her Skin is a fun and engaging read with a whodunit that keeps you guessing and entertained." Historical Novel Society
Praise for Stephen Spotswood and the Pentecost and Parker Mystery Series:
Winner of the 2021 Nero Award
"Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel." Tana French, author of The Searcher
"Bullets, blood, bodies, and belly-laughs: all the ingredients of a classic mystery novel. Stephen Spotswood hard-boils with the best of em!" Alan Bradley, author of the Flavia de Luce Mystery Series
"Takes gritty 40s noir, shakes it up, gives it a charming twist, and serves it up with unforgettable style. My new favorite sleuthing duo are Pentecost and Parker, the spiritual sisters of Nero Wolfe and Archie Goodwin. An utterly brilliant debut!" Deanna Raybourn, author of the Veronica Speedwell Mysteries
"Humorous and fun [with] all the hallmarks of an Agatha Christie mystery, and there s a delightful dose of noir thrown in for the more hardcore pulp fiction crowd, too. . . This duo will be around for years to come." Bookpage *Starred Review*
"Every page nay, every paragraph is rich and compelling. . . If anyone s the heir apparent to Phryne Fisher or Elementary s Sherlock and Joan, it s Parker and Pentecost. This is an adventure you ll want to rave about to strangers on the streets." Criminal Element
"A relentlessly entertaining romp through 1940 s New York City, and through the annals of mystery fiction, as well, with many sly nods to authors of the past and some invigorating reinventions of classic tropes and gambits." CrimeReads
"Sparkles [with] wit and personality. . . This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun." Shelf Awareness
"Good news, mystery readers, your new favorite sleuthing duo has arrived on the scene! . . . A refreshing update to a classic Golden Age mystery, serving hard-boiled thrills and laugh-out-loud wit with charm and panache. A fantastic read!" Northen Virginia Magazine
"If you ve been dying for a fresh take on the sleuth genre, this book delivers that and more. A mix of classic noir aesthetics and tropes with an inclusive twist. . . The kind of mystery series that will capture your imagination in new and fun ways, and have you desperate to get your hands on more." Get Literary
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